Matt Besser Quotes
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Right after college, a buddy of mine was moving to Boulder for some summer program, and he was like, 'Come live with me.' And I figured, why not? I love Colorado.
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I grew up in Little Rock, Arkansas, and before the Internet and before everything, just to get anything interesting, you had to go on vacation to San Francisco or something. But I think when you're in the middle of America, you feel very jealous of not just comedy but music that you don't have access to.
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We agree that there is a problem in the sketch and improv community where, in general, there should be more interest from a more diverse sampling of our society. That is precisely why we do have diversity scholarships and why we've put together a diversity program to try to figure this problem out.
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Understanding listening is an epiphany moment for every improviser. At least for me it was.
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I feel like there are a lot of bands or musicians that probably think improv is corny, because I think that's a sentiment out there.
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I really enjoyed doing stand-up. Andy Kaufman was a big hero of mine. I tried to do conceptual stuff like he tried to do.
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Standups have all the talk shows, but you never see a sketch group on a talk show. Even on so-called variety shows, if you do see a sketch group or character, it's written specifically for that variety show and usually written around the host of the show or a celebrity.
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I think it's pretty stupid to write off an entire genre of anything. It's one thing to say 'I don't like country music.' But it's pretty narrow minded to say 'All country music sucks.' Of course, that being said, all short-form improv sucks.
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I always like being a director in terms of giving acting notes and punching up on the fly.
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There's something about the Razorbacks that's unique to Arkansas - I don't know how many states have just one team that the entire state coalesces around. We don't have a pro team, so everybody's into the Razorbacks. Everybody's watching the Razorbacks on Saturday.
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I actually find prank CDs pretty annoying.
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Mary Holland is really funny.
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There's nothing more pathetic than listening to a football game over the Internet, but I've done that.
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When we started doing sketch comedy - actually in '91 in Chicago - making your own videos, which we did, took forever. It would take like, a year to make one video. It was just so difficult to edit and just do everything you had to do.
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I didn't even learn to play guitar until the movie 'Walk Hard,' which is probably fortunate because maybe I would have pursued it, and that would have been a waste of my time.
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Sometimes people can be offensive and not even realize it.
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I'm more comfortable doing a character than being myself.
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Neil Mahoney was definitely the visionary in taking 'Freak Dance' from stage to screen. He made it more cinematic. He brought the choreography, all the ways to shoot that. I was more the director of actors. I was in front of the camera directing, and he was behind the camera directing.
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I grew up in the '80s, when breaking was cool, and then it got corny in the '90s, and it became cool again with all these choreographed B-Boy dance crews.
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I got really depressed when Sidney Moncrief lost to Larry Bird. That really depressed me.
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People get recruited from sketch groups and put on 'Mad TV' and 'SNL,' but those aren't ensembles, they're all-star teams.
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I never liked the glossiness of highly produced standup specials in general - I like it where it has more of a feel of the type of places I usually perform. It seems kind of weird when you do a special to go perform in a place unlike the place where you perform 95% of the time.
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It's almost kind of satisfying when you get direct proof that someone stole your bit. It makes the times you had the paranoid suspicion feel less crazy.
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Don't invite me to a surprise birthday party. I don't have room for that secret. I've got enough real secrets I have to keep: dark, life-destroying secrets.