Matt Dillon Quotes
One of the things I've learned over the years is that you only do what you can do as an actor. You do the best job you can, but you have no control over so many elements that are going to determine the outcome of that film. I never pay attention to what happens after.
Quotes to Explore
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If women would today would rise en masse and demand their emancipation, the men would be compelled to grant it.
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Your dresses should be tight enough to show you're a woman and loose enough to show you're a lady.
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Only a fool does not fear actors, but you can't beat them, and if you can't beat them, join them, as they say. As I've got older I've become very interested in that part of the work.
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The most amazing thing about Karl Lagerfeld is that no matter what you ask him, you will always get an interesting answer. We even exchanged notes about ponytails.
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Finally, my manager negotiated a deal where I got to produce my own records.
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The end of secrecy would be the end of the novel - especially the English novel. The English novel requires social secrecy, personal secrecy.
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A man's motive in the small actions of daily life, like resting a moment on his pitchfork in the sun and listening intently, may be the most important thing about that man.
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A man seldom thinks with more earnestness of anything than he does of his dinner.
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Gun owners and non-gun owners alike agree on expanding background checks, making gun trafficking a serious crime with stiff penalties, making it illegal for all stalkers and all domestic abusers to buy guns, and expanding mental health resources so the mentally ill find it easier to receive treatment than to buy firearms.
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I like buying iTunes. It's instant.
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I have reservations about everything I do.
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You can't write a story about a mental hospital in the United States without facing the grand example of 'Cuckoo's Nest.'
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Being gay myself, I'm naturally drawn to the interactions between men rather than men and women.
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One of the missions of 'The Nightly Show' was to have a conversation with America in a sense, and talk about the things that people didn't want to talk about it.
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I don't understand why women journalists always ask women about motherhood? It's far more important and interesting for women to talk about their work, their thoughts, their creativity and their individual identity.
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I don't think there will ever be a time I don't write, and I hope there will never be a time I don't act.
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I told my agent which women I aspire to have a career like: Frances McDormand, Kate Winslet, Laura Linney and Emma Thompson - character actresses who have something to say. I also said that I loved Madeline Kahn and Jessica Lange.
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I just had fun making the movies - just being on set - but I didn't really care about the acting part.
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Seeing the light is a choice, not seeing the light is no choice.
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I know some players like being the centre of attention and I admit that when I first became a player I liked fame, too. But that feeling lasted only for three months. Then I realised what it was really like to be the centre of attention all the time. It isn't all good.
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I took 'Grease' to play my trump card, my voice, and get attention that would lead to auditions for serious work like 'Angels in America.' But I backed myself into a corner with 'Grease,' and it took me 17 years to get out.
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I've written songs before, and I don't want to share them with anybody. It's really personal for me, that sort of creative outlet where you put your emotions to paper or put to song. I don't do it that much anymore, but to let someone in on that outlet and to have it susceptible to judgment is scary.
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People ask where I'm from, and I say 'Los Angeles.' Then they ask again. 'Well, my parents are from Korea.'
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One of the things I've learned over the years is that you only do what you can do as an actor. You do the best job you can, but you have no control over so many elements that are going to determine the outcome of that film. I never pay attention to what happens after.
