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Just as my fingers on these keys Make music, so the self-same sounds On my spirit make a music, too. Music is feeling, then, not sound; And thus it is that what I feel, Here in this room, desiring you, Thinking of your blue-shadowed silk, Is music.
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Clothe me entire in the final filament, So that I tremble with such love so known And myself am precious for your perfecting.
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These Are the music of meet resignation; these The responsive, still sustaining pomps for you To magnify, if in that drifting waste You are to be accompanied by more Than mute bare splendors of the sun and moon.
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The world about us would be desolate except for the world within us.
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I know that timid breathing. Where Do I begin and end? And where, As I strum the thing, do I pick up That which momentously declares Itself not to be I and yet Must be. It could be nothing else.
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That tuft of jungle feathers, That animal eye, Is just what you say.That savage of fire, That seed, Have it your way.The world is ugly, And the people are sad.
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Man is an eternal sophomore.
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I saw how the night came, Came striding like the color of the heavy hemlocks. I felt afraid. And I remembered the cry of the peacocks.
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The operation of the imagination in life is more significant than its operation in or in relation to works of art... in life what is important is the truth as it is, while in arts and letters what is important is truth as we see it.
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The thinking of art seems final when The thinking of god is smoky dew.
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The swarm of thoughts, the swarm of dreams Of inaccessible Utopia. A mountainous music always seemed To be falling and to be passing away.
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To see the gods dispelled in mid-air and dissolve like clouds is one of the great human experiences. It is not as if they had gone over the horizon to disappear for a time; nor as if they had been overcome by other gods of greater power and profounder knowledge. It is simply that they came to nothing.
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Life consists Of propositions about life. The human Revery is a solitude in which We compose these propositions, torn by dreams, By the terrible incantations of defeats And by the fear that the defeats and the dreams are one. The whole race is a poet that writes down The eccentric propositions of its fate.
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A man and a woman Are one. A man and a woman and a blackbird Are one.
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Each must the other take as sign, short sign To stop the whirlwind, balk the elements.
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So that's life, then: things are they are? It picks its way on the blue guitar. A million people on one string? And all their manner in the thing, And all their manner, right and wrong, And all their manner, weak and strong? And that's life, then: things as they are, This buzzing of the blue guitar.
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He tries by a peculiar speech to speak The peculiar potency of the general
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The wind in which the dead leaves blow. Here I inhale profounder strength And as I am, I speak and move And things are as I think they are And say they are on the blue guitar.
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Fat girl, terrestrial, my summer, my night, How is it I find you in difference, see you there In a moving contour, a change not quite completed? You are familiar yet an aberration.
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Not to be realized because not to Be seen, not to be loved nor hated because Not to be realized.
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To speak of joy and to sing of it, borne on The shoulders of joyous men, to feel the heart That is the common, the bravest fundament, This is a facile exercise
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Like a page of music, like an upper air, Like a momentary color, in which swans Were seraphs, were saints, were changing essences. The west wind was the music, the motion, the force To which the swans curveted, a will to change, A will to make iris frettings on the blank.
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The first idea was not our own. Adam In Eden was the father of Descartes And eve made air the mirror of herself,Of her sons and of her daughters.
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In the green water, clear and warm, Susanna lay. She searched The touch of springs, And found Concealed imaginings. She sighed, For so much melody.