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It was evening all afternoon. It was snowing And it was going to snow. The blackbird sat In the cedar-limbs.
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In the green water, clear and warm, Susanna lay. She searched The touch of springs, And found Concealed imaginings. She sighed, For so much melody.
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So that's life, then: things are they are? It picks its way on the blue guitar. A million people on one string? And all their manner in the thing, And all their manner, right and wrong, And all their manner, weak and strong? And that's life, then: things as they are, This buzzing of the blue guitar.
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The major abstraction is the idea of man And major man is its exponent, abler In the abstract than in his singular, More fecund as principle than particle
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To speak of joy and to sing of it, borne on The shoulders of joyous men, to feel the heart That is the common, the bravest fundament, This is a facile exercise
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There was such idiot minstrelsy in rain, So many clappers going without bells, That these bethous compose a heavenly gong. One voice repeating, one tireless chorister, The phrases of a single phrase, ke-ke, A single text, granite monotony
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Soldier, there is a war between the mind And sky, between thought and day and night. It is For that the poet is always in the sun, Patches the moon together in his room To his Virgilian cadences, up down, Up down. It is a war that never ends.
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The fluctuations of certainty, the change Of degrees of perception in the scholar’s dark.
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The President ordains the bee to be Immortal. The President ordains.
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Not to be realized because not to Be seen, not to be loved nor hated because Not to be realized.
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If to serenade almost to man Is to miss, by that, things as they are, Say that it is the serenade Of a man that plays a blue guitar.
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The world is a force not a presence.
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Do not speak to us of the greatness of poetry, Of the torches wisping in the underground, Of the structure of vaults upon a point of light. There are no shadows in our sun, Day is desire and night is sleep. There are no shadows anywhere. The earth, for us, is flat and bare. There are no shadows.
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A breath upon her hand Muted the night. She turned - A cymbal crashed, Amid roaring horns.
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His petty syllabi, the sounds that stick, Inevitably modulating, in the blood. And war for war, each has its gallant kind. How simply the fictive hero becomes the real; How gladly with proper words the solider dies, If he must, or lives on the bread of faithful speech.
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A grandiose subject is not an assurance of a grandiose effect but, most likely, of the opposite.
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To a large extent, the problems of poets are the problems of painters, and poets must often turn to the literature of painting for a discussion of their own problems.
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What is there in life except one's ideas. Good air, good friend, what is there in life? Is it ideas that I believe?
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This is old song That will not declare itself...
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They will get it straight one day at the Sorbonne. We shall return at twilight from the lecture Pleased that the irrational is rational,Until flicked by feeling, in a gildered street, I call you by name, my green, my fluent mundo.
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The imagination is the power that enables us to perceive the normal in the abnormal, the opposite of chaos in chaos.
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The nothingness was a nakedness, a point,Beyond which fact could not progress as fact. Thereon the learning of the man conceived Once more night’s pale illuminations, goldBeneath, far underneath, the surface of His eye and audible in the mountain of His ear, the very material of his mind.
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Perhaps, The man-hero is not the exceptional monster, But he that of repetition is most master.
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The boots of the men clump On the boards of the bridge. The first white wall of the village Rises through fruit-trees. Of what was it I was thinking? So the meaning escapes.