Wallace Stevens Quotes
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So poisonousAre the ravishments of truth, so fatal to The truth itself, the first idea becomes The hermit in a poet’s metaphors,Who comes and goes and comes and goes all day.
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In solitude the trumpets of solitude Are not of another solitude resounding; A little string speaks for a crowd of voices.
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I know that timid breathing. Where Do I begin and end? And where, As I strum the thing, do I pick up That which momentously declares Itself not to be I and yet Must be. It could be nothing else.
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It is of him, ephebe, to make, to confect The final elegance, not to console Nor sanctify, but plainly to propound.
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In European thought in general, as contrasted with American, vigor, life and originality have a kind of easy, professional utterance. American - on the other hand, is expressed in an eager amateurish way. A European gives a sense of scope, of survey, of consideration. An American is strained, sensational. One is artistic gold; the other is bullion.
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Tonight the lilacs magnify The easy passion, the ever-ready love Of the lover that lies within us and we breatheAn odor evoking nothing, absolute. We encounter in the dead middle of the night The purple odor, the abundant bloom.
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Be content - Expansions, diffusions - content to be The unspotted imbecile revery, The heraldic center of the world Of blue, blue sleek with a hundred chins, The amorist Adjective aflame...
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Just as my fingers on these keys Make music, so the self-same sounds On my spirit make a music, too. Music is feeling, then, not sound; And thus it is that what I feel, Here in this room, desiring you, Thinking of your blue-shadowed silk, Is music.
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It is the sea that whitens the roof. The sea drifts through the winter air. It is the sea that the north wind makes. The sea is in the falling snow. This gloom is the darkness of the sea.
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Donna, donna, dark, Stooping in indigo gown And cloudy constellations, Conceal yourself or disclose Fewest things to the lover - A hand that bears a thick-leaved fruit, A pungent bloom against your shade.
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The fire burns as the novel taught it how.
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Phoebus is dead, ephebe. But Phoebus was A name for something that never could be named. There was a project for the sun and is.There is a project for the sun. The sun Must bear no name, gold flourisher, but be In the difficulty of what it is to be.
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It was enough for her that she remembered.
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The poem refreshes life so that we share, For a moment, the first idea . . . It satisfies Belief in an immaculate beginningAnd sends us, winged by an unconscious will, To an immaculate end.
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We are the mimics. Clouds are pedagogues.
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To have nothing to say and to say it in a tragic manner is not the same thing as having something to say.
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His petty syllabi, the sounds that stick, Inevitably modulating, in the blood. And war for war, each has its gallant kind. How simply the fictive hero becomes the real; How gladly with proper words the solider dies, If he must, or lives on the bread of faithful speech.
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Poetry is a purging of the world's poverty and change and evil and death. It is a present perfecting, a satisfaction in the irremediable poverty of life.
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In being more than an exception, part,Though an heroic part, of the commonal. The major abstraction is the commonal, The inanimate, difficult visage.
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Straight to the utmost crown of night he flew. The nothingness was a nakedness, a pointBeyond which thought could not progress as thought. He had to choose. But it was not a choice Between excluding things. It was not a choiceBetween, but of. He chose to include the things That in each other are included, the whole, The complicate, the amassing harmony.
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She walked upon the grass, Still quavering. The winds were like her maids, On timid feet, Fetching her woven scarves, Yet wavering.
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Poetry is an effort of a dissatisfied man to find satisfaction through words.
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The operation of the imagination in life is more significant than its operation in or in relation to works of art... in life what is important is the truth as it is, while in arts and letters what is important is truth as we see it.
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Like a page of music, like an upper air, Like a momentary color, in which swans Were seraphs, were saints, were changing essences. The west wind was the music, the motion, the force To which the swans curveted, a will to change, A will to make iris frettings on the blank.