Wallace Stevens Quotes
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A poem need not have a meaning and like most things in nature often does not have.
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What chieftain, walking by himself, crying Most miserable, most victorious,Does not see these separate figures one by one, And yet see only one, in his old coat, His slouching pantaloons, beyond the town,Looking for what was, where it used to be?
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O thin men of Haddam, Why do you imagine golden birds? Do you not see how the blackbird Walks around the feet Of the women about you?
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Donna, donna, dark, Stooping in indigo gown And cloudy constellations, Conceal yourself or disclose Fewest things to the lover - A hand that bears a thick-leaved fruit, A pungent bloom against your shade.
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Tonight the lilacs magnify The easy passion, the ever-ready love Of the lover that lies within us and we breatheAn odor evoking nothing, absolute. We encounter in the dead middle of the night The purple odor, the abundant bloom.
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A diary is more or less the work of a man of clay whose hands are clumsy and in whose eyes there is no light.
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So poisonousAre the ravishments of truth, so fatal to The truth itself, the first idea becomes The hermit in a poet’s metaphors,Who comes and goes and comes and goes all day.
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In European thought in general, as contrasted with American, vigor, life and originality have a kind of easy, professional utterance. American - on the other hand, is expressed in an eager amateurish way. A European gives a sense of scope, of survey, of consideration. An American is strained, sensational. One is artistic gold; the other is bullion.
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In solitude the trumpets of solitude Are not of another solitude resounding; A little string speaks for a crowd of voices.
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It is the sea that whitens the roof. The sea drifts through the winter air. It is the sea that the north wind makes. The sea is in the falling snow. This gloom is the darkness of the sea.
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Be content - Expansions, diffusions - content to be The unspotted imbecile revery, The heraldic center of the world Of blue, blue sleek with a hundred chins, The amorist Adjective aflame...
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Phoebus is dead, ephebe. But Phoebus was A name for something that never could be named. There was a project for the sun and is.There is a project for the sun. The sun Must bear no name, gold flourisher, but be In the difficulty of what it is to be.
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It was enough for her that she remembered.
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We are the mimics. Clouds are pedagogues.
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The fire burns as the novel taught it how.
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It was evening all afternoon. It was snowing And it was going to snow. The blackbird sat In the cedar-limbs.
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Poetry is a purging of the world's poverty and change and evil and death. It is a present perfecting, a satisfaction in the irremediable poverty of life.
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The poem refreshes life so that we share, For a moment, the first idea . . . It satisfies Belief in an immaculate beginningAnd sends us, winged by an unconscious will, To an immaculate end.
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To have nothing to say and to say it in a tragic manner is not the same thing as having something to say.
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To see the gods dispelled in mid-air and dissolve like clouds is one of the great human experiences. It is not as if they had gone over the horizon to disappear for a time; nor as if they had been overcome by other gods of greater power and profounder knowledge. It is simply that they came to nothing.
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The operation of the imagination in life is more significant than its operation in or in relation to works of art... in life what is important is the truth as it is, while in arts and letters what is important is truth as we see it.
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Poetry is an effort of a dissatisfied man to find satisfaction through words.
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Straight to the utmost crown of night he flew. The nothingness was a nakedness, a pointBeyond which thought could not progress as thought. He had to choose. But it was not a choice Between excluding things. It was not a choiceBetween, but of. He chose to include the things That in each other are included, the whole, The complicate, the amassing harmony.
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Like a page of music, like an upper air, Like a momentary color, in which swans Were seraphs, were saints, were changing essences. The west wind was the music, the motion, the force To which the swans curveted, a will to change, A will to make iris frettings on the blank.