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Upon the bank, she stood In the cool Of spent emotions. She felt, among the leaves, The dew Of old devotions.
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Our own time, and by this I mean the last two or three generations, including our own, can be summed up in a way that brings into unity an immense number of details by saying of it that it is a time in which the search for the supreme truth has been a search in reality or through reality or even a search for some supremely acceptable fiction.
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The fire burns as the novel taught it how.
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Donna, donna, dark, Stooping in indigo gown And cloudy constellations, Conceal yourself or disclose Fewest things to the lover - A hand that bears a thick-leaved fruit, A pungent bloom against your shade.
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It is the sea that whitens the roof. The sea drifts through the winter air. It is the sea that the north wind makes. The sea is in the falling snow. This gloom is the darkness of the sea.
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Just as my fingers on these keys Make music, so the self-same sounds On my spirit make a music, too. Music is feeling, then, not sound; And thus it is that what I feel, Here in this room, desiring you, Thinking of your blue-shadowed silk, Is music.
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It is of him, ephebe, to make, to confect The final elegance, not to console Nor sanctify, but plainly to propound.
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Tonight the lilacs magnify The easy passion, the ever-ready love Of the lover that lies within us and we breatheAn odor evoking nothing, absolute. We encounter in the dead middle of the night The purple odor, the abundant bloom.
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The poem refreshes life so that we share, For a moment, the first idea . . . It satisfies Belief in an immaculate beginningAnd sends us, winged by an unconscious will, To an immaculate end.
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I know that timid breathing. Where Do I begin and end? And where, As I strum the thing, do I pick up That which momentously declares Itself not to be I and yet Must be. It could be nothing else.
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To have nothing to say and to say it in a tragic manner is not the same thing as having something to say.
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It was enough for her that she remembered.
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Poetry is a purging of the world's poverty and change and evil and death. It is a present perfecting, a satisfaction in the irremediable poverty of life.
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A fictive covering Weaves always glistening from the heart and mind.
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Poetry is an effort of a dissatisfied man to find satisfaction through words.
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She walked upon the grass, Still quavering. The winds were like her maids, On timid feet, Fetching her woven scarves, Yet wavering.
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In being more than an exception, part,Though an heroic part, of the commonal. The major abstraction is the commonal, The inanimate, difficult visage.
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Straight to the utmost crown of night he flew. The nothingness was a nakedness, a pointBeyond which thought could not progress as thought. He had to choose. But it was not a choice Between excluding things. It was not a choiceBetween, but of. He chose to include the things That in each other are included, the whole, The complicate, the amassing harmony.
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Like a page of music, like an upper air, Like a momentary color, in which swans Were seraphs, were saints, were changing essences. The west wind was the music, the motion, the force To which the swans curveted, a will to change, A will to make iris frettings on the blank.
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Be content - Expansions, diffusions - content to be The unspotted imbecile revery, The heraldic center of the world Of blue, blue sleek with a hundred chins, The amorist Adjective aflame...
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The operation of the imagination in life is more significant than its operation in or in relation to works of art... in life what is important is the truth as it is, while in arts and letters what is important is truth as we see it.
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To see the gods dispelled in mid-air and dissolve like clouds is one of the great human experiences. It is not as if they had gone over the horizon to disappear for a time; nor as if they had been overcome by other gods of greater power and profounder knowledge. It is simply that they came to nothing.
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The thinking of art seems final when The thinking of god is smoky dew.
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He might take habit, whether from wave or phrase,Or power of the wave, or deepened speech, Or a leaner being, moving in on him, Of greater aptitude and apprehension,As if the waves at last were never broken, As if the language suddenly, with ease, Said things it had laboriously spoken.