Ralph Steadman Quotes
You know, we're really destroying ourselves because we're really making the motivating force of anything we do selfish.
Quotes to Explore
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Your opening should give the reader a person to focus on. In a short story, this person should turn up almost immediately; he should be integral to the story's main action; he should be an individual, not just a type. In a novel, the main character may take longer to appear: Anna Karenina doesn't show up in her own novel until chapter eighteen.
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I guess hip-hop has been closer to the pulse of the streets than any music we've had in a long time. It's sociology as well as music, which is in keeping with the tradition of black music in America.
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If you don't enjoy it, then putting in the long hours is going to take their toll. If you don't enjoy it, then putting in the long hours is going to take their toll.
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A friend of mine said, no matter what I do I always look like an English teacher. She actually said, you still look like a Campbell's Soup kid.
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I am supposed to set an example to young players.
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I was a newspaper editor in high school, and I truly thought of journalism as a career. I loved it.
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In the last quarter of the eighteenth century bourgeois Europe needed to emancipate itself from that combination of feudalism and commercial capitalism which we know as mercantilism.
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If the IOC would move the Olympic hockey tournament to the summer, that would be great. We'd be thrilled to have our players participate because then it doesn't affect our season.
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I always think of my films within the context of where aesthetics meet economics. That's the nature of making art - not being naive about what is possible and getting what you need to tell the story you want to tell.
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Sport's hard: the margin between winning and losing is tiny.
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Examine the history of China for 2,000 years back, and then compare it with the Western history of fifty years! Does the government of these foreign countries present such a record of generosity, benevolence, loyalty, and honesty as ours?
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Sydney's beautiful, the weather's great, and the air's fresh and clean, but it doesn't have the scene and the amount of likeminded people. At home, things are very comfortable, but I feel like putting myself out there a bit.
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In time we grow older, we grow wiser, we grow smarter, and we're better. And I feel like I'm becoming more seasoned, although I don't have my salt-and-pepper hair.
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I want my son to become aware that he is in charge of the choices he makes, and it's good to make thoughtful, good choices.
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It's easy to get distracted by the vaudevillian aspects of the healthcare debate.
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Privacy is big for me. To do interviews even, I have a very love/hate with it.
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We are so blessed to be here in America. We have freedom and opportunity unlike anywhere else in the world.
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Often I pretended to a cameraman to know less than I did. That way I got more cooperation.
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'The Replacements' is where I met Jon Favreau, and we just clicked like, you know, like kids at a camp.
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Anyone who sets foot into the 'Watchmen' universe and isn't just a little nervous should be given a few days of electroshock therapy. I've always considered 'Watchmen' to be one of the best graphic novels ever written, and when it came out back in 1986 I was as blown away as everyone else. Just masterful.
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The more dollars the studio producers put in, the less freedom we have. If the budget hits $100m, they get scared - they'll take the existing score of a successful movie and expect composers to copy it, like wallpaper. The biggest challenge for any composer in Hollywood is to be as creative as possible within those boundaries.
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I am one of maybe three people in the world who knows anything about Robert W. Chambers.
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When I first started performing, the only community that truly got what I was trying to do was the LGBTQ community.
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You know, we're really destroying ourselves because we're really making the motivating force of anything we do selfish.
