Pedro Almodovar Quotes
Before shooting, I prepare with the actors much more like it's a theater play than a movie. Apparently, that way of working is very unusual.

Quotes to Explore
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The more I compose, the more I know that I don't know it all. I think it's a good way to start. If you think you know it all, the work becomes a repetition of what you've already done. I try to make sure that I don't repeat my music.
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Never trust anything that can think for itself if you can't see where it keeps its brain.
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Look what venison does to a goofy guitar player from Detroit? I'm going to be 54 this year and if I had any more energy I'd scare you.
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Elvis was a big influence to my music, but Loretta Lynn was, as well.
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The director had come to Madrid to court me.
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I think the interesting thing about the word 'posh' is that it is so relative; it's quite a provocative title because people have strong feelings about that word.
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In Art, man reveals himself and not his objects.
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My mother, as a girl, had remembered this woman from Maine, someone who was part of the extended family somehow, and I recall her talking about this great, risk-taking woman. There are the most amazing, heroic stories in everybody's lives.
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I can speak a little bit of Hindi but understand every word.
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In Japan, there's a TV series called Jin. It deals with time travel. I like stories about time travel. It's a story about people living in modern day that travel back to the Edo era. Those things really interest me.
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The teaching thing, the one where I have to impart my knowledge, is probably what comes the least naturally to me because I'm an absorber of things.
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I don't recognize my former self. Like I'm on the outside looking in at my life. Who is that guy?
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At times it is folly to hasten at other times, to delay. The wise do everything in its proper time.
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When I was a kid, I wasn't making my choices based on anything other than 'Did I want to work that day?' or 'Did being in school sound more fun?' And I don't remember ever reading a script and thinking, 'Is this going to be a fun part to play?'
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Let not the 12 million Negroes be ashamed of the fact that they are the grandchildren of slaves. There is dishonor in being slave-owners.
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I never participated in far-reaching political decisions, since I never belonged to the circle of the closest associates of Adolf Hitler, neither was I consulted by Adolf Hitler on general political questions, nor did I ever take part in conferences about such problems.
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We are a country that lacks riches. The Jewish brain, that's what we have. Everything that we've had and will have in this country is the direct and clear product of higher education. If we harm this system, we will drastically decline and cease to exist.
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Kids from financially distressed households are twice as likely to have to repeat a grade and more than two-and-a-half more times to struggle with poor health later in life.
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When I first concluded to print the book, I made an honest effort to construct it in the third person.
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I want to beat up Michael Fassbender in a movie. I was with him at the beginning of his career when he did an episode of 'Murphy's Law.' He's a proper superstar and enormously talented, but I want to do a scene where I properly duff him up.
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I didn't picture myself as a movie actress. I began to think about it around college. I remember thinking, 'Well somebody has to be in them,' so maybe I could do that eventually. It's all been a surprise.
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I have a carbohydrate and protein-rich diet. For breakfast, I typically have two slices of bread with butter or jam, four to five eggs - boiled or fried - a few bananas and a glass of milk.
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What I look for in a role is the physical. But what's the journey emotionally? Can I take this person who is this archetypal tough guy and find the beauty?
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Before shooting, I prepare with the actors much more like it's a theater play than a movie. Apparently, that way of working is very unusual.