Matt Harvey Quotes
Quotes to Explore
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People get TV deals by doing something in their grandmother's basement. It is definitely the wave. Everybody is trying to do all that stuff. I mean, the Internet is the only reason that I've gotten work is because I've somehow created a line and people have seen it. And then I've been asked to auditions.
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I think I'd say that my whole body of work is a reflection of who I am, but not any one specific thing.
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No degree of dullness can safeguard a work against the determination of critics to find it fascinating.
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Glory is attained from hard work, step by step.
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When people connect to my work, it makes me feel great. A lot of that stuff is really deep, and when I play something and people feel what I feel, and use it in important situations in their lives, like at weddings or funerals, that's so powerful. It means I can connect with them on an important level.
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America's growth historically has been fueled mostly by investment, education, productivity, innovation and immigration. The one thing that doesn't seem to have anything to do with America's growth rate is a brutal work schedule.
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What is sad for women of my generation is that they weren't supposed to work if they had families. What were they going to do when the children are grown - watch the raindrops coming down the window pane?
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I've learned not to hide behind a veil of irony - to talk about my work in a more honest way.
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A man's face is his autobiography. A woman's face is her work of fiction.
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When I first stepped into literature twenty-five years ago, I wanted to work on behalf of the oppressed, the working masses, and it seemed to me, mistakenly, that I would not find them among the Jews.
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Special-interest magazines are dangerous places for writers to start out in because the writing quickly falls into a routine and people are likely to find themselves artistically exhausted when they want to work on something of their own.
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I always say, one way to connect with a working mother is to ask her what she has done before work that day!
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The best advice I got as a writer was also the first advice, which came from the late fantasy author and editor Karl Edward Wagner: Any agent who charges to look at your work is a crook.
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Nothing changes and very little happens in Paris. This is a great place to work without distraction - and then I run away to New York, where I have a life!
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I spent a lot of time doing really unimportant work as an actor. It was important when I started writing that I obviously make it entertaining, or no one is going to go see it - but to really make you think, that is my goal.
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I've never seen hard work fail.
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Women in America will have to find an answer for the pressures of work and family, but if you really care about women's issues you have to think about women in the world, especially Africa, Asia and the Middle East.
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The reason I collaborate with Louis Vuitton is that Louis Vuitton is number one in the world, and I am honored to work with them.
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'Polytechnique' changed everything in my way of working. I became an adult, really, during those five years. I didn't work on anything else but 'Polytechnique.'
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We're professionals and we have to come to work and play the game. They had to sit through the same thing except they had to sit on the bench.
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I guess not being able to hear just made me adventurous and daring. And in most cases, that didn't make my parents very happy with me.
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Translation is at best an echo.
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As for borrowing Mr. Whistler's ideas about art, the only thoroughly original ideas I have heard him express have had reference to his own superiority as a painter over painters greater than himself.
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Nobody knows the hard work that goes in the morning before I do anything.