James Russell Lowell Quotes
Quotes to Explore
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I've leased the apartment; my partner is going to come out here. But we're keeping our house in Chicago because real estate is a really good investment and also because it is just crammed with full of stuff!
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When I got back to Madison Avenue, I realized that copywriters made more than artists, so I switched.
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You may talk of the tyranny of Nero and Tiberius; but the real tyranny is the tyranny of your next-door neighbor.
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Our Bollywood stars who talk of being part of 100 crore films, I think I belong to the 1,000 crore club.
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If people don't want to come to the ballpark, how are you going to stop them?
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When someone tells me about Malala, the girl who was shot by the Taliban - that's my definition for her - I don't think she's me. Now I don't even feel as if I was shot. Even my life in Swat feels like a part of history or a movie I watched. Things change. God has given us a brain and a heart which tell us how to live.
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Let me die because I do not want to see the sun again.
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I became interested in educating people in the variety of ways in which women can express their emotion. Which is much easier to do in a large role than in a supporting role to a male protagonist. In general, the women in a supporting role to a male protagonist - cry a lot.
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One of the reasons I love writing for middle graders, besides their voracious appetite for books, is their deep concern for fairness and morality.
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I guess you kind of got to realize that once you in a marriage, whatever it is, you gotta deal with it. Not necessarily that you got to accept it, but you have to deal with it and try your best to make it work for you, for the both of you.
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I also want to encourage anybody who was affected by Hurricane Corina to make sure their children are in school.
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Nobody believed in the success of the Internet.
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When I'm out with my girlfriends at the bar, and I see some young 18-year old boy, just for fun I say, 'Hi honey. Do you like girls? Do you like girls exclusively? Oh, good.'
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Being gay immediately placed me outside the values of the society I was growing up in. Apartheid was a very patriarchal system, so its assumptions seemed foreign to me from the outset. I've always had the advantage of alienation.
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My parents had some problems of their own that put me in a position of having to deal with very grown-up stuff at a very young age. I needed some help with that, therapy-wise.
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I've never thought in terms of 'men do this' and 'women do that.'
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I remember being about eight and watching 'Pollyanna' with Hayley Mills. I looked at my mum and said, 'Mum, I want to be Pollyanna.' She said, 'You're going to have to make yourself cry if you want to be an actress.' So I turned my head away, and when I turned it back I was in floods of tears.
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When you are hoping for a call or want something different, I think you lose your edge.
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After you play a part, you think of it as your own.
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I am fundamentally an optimist. Whether that comes from nature or nurture, I cannot say. Part of being optimistic is keeping one's head pointed toward the sun, one's feet moving forward. There were many dark moments when my faith in humanity was sorely tested, but I would not and could not give myself up to despair. That way lays defeat and death.
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When you do a slasher film, you find yourself repeating the same kind of scene, then it becomes not very challenging and not very interesting.
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I don't feel I was 'born American,' but my homeland was denied to me after the end of World War II, and I craved something I could identify with. When I became a student at Harvard in the 1950s, America very quickly filled the vacuum. I felt I was American, but I think it's more revealing of America how quickly others here accepted me.
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We kind o' thought Christ went agin war an' pillage.
