Gary Jennings Quotes
When I got back to Madison Avenue, I realized that copywriters made more than artists, so I switched.

Quotes to Explore
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All history is defined by shifting modes of reality and time and how things change. That's what I love about cinema. It changes in the moment.
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I do not regret the part I have taken in a cause so just and interesting to mankind.
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To deal with what you have to deal with as mayor or president, there has to be an overriding psychological or professional or emotional gratification that would let you go through all the angst.
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I have lived a carnal life.
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That crossover of whether it's entertainment or news is the biggest crock of b.s. in television today, because it's all entertainment.
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I traveled so much to dance that I feel a part of many places, but New York is where I spent most of my life and where my career has been - it's the place where I exist.
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So, deadpan I think just means not acknowledging for one second that you think that this is funny and clever.
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I spent half my life being hurt. The leftovers of hurt are an automatic gesture, like a dog that salivates.
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Historically, San Franciscans have not valued street trees as much as other communities have.
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A fly cannot go in unless it stops somewhere; therefore weapons, fuel, food, money will not go to Afghanistan unless the neighbors of Afghanistan are working, are cooperating, either being themselves the origin or the transit.
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I remember doing the sex scene in Red Rock West. I had to kiss Nic Cage and then look like I was going down on him. And he couldn't do anything - he just had to lie there.
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I mean there are many people who have endorsed me that I agree with on some things and not others.
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Memory... is the diary that we all carry about with us.
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Only 10 percent of the people in the U.S. like dry wines. You shouldn't get down on people just because they like a little sugar.
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I have been working since I was 11 on everything including period dramas.
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My father was a headmaster in England and then the dean of a college in Australia. We moved there when I was about five, so my education was in Australia, and I always felt I was Australian even though my passport was British.
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I try and direct environmentally, so that people don't feel like everything is going to depend on what happens when someone says, 'action,' so that they can literally be swimming in the warm water, and at some point the race begins, and at some point the race ends, but it is about being free to swim.
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You can watch someone on – stage cry and cry – but in the audience you feel nothing. It's easy to become indulgent. For me, what's important is the story first.
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When I was in nursery school, the teachers asked me, y'know, 'What does your dad do for a living?' So I said 'He helps women get pregnant!' They called my mom and they were like, 'What exactly does your husband do?'
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I'm from Oklahoma. I mean, you can't have good hair in Oklahoma. That's why everyone wears hats. The wind just messes it up.
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The more you put into it, the more you and the audience will get out of it.
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What if I said that every photograph I made was set up? From the photograph, you can't prove otherwise. You don't know anything from the photograph about how it was made, really.
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When I got back to Madison Avenue, I realized that copywriters made more than artists, so I switched.