James Wan Quotes
I like to think if something scares me, then there's a very good chance an audience will feel the same way. The key is creating scenarios that people can relate to.
Quotes to Explore
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You rarely get satisfaction sitting in an easy chair. If you work in a garden on the other hand, and it yields beautiful tomatoes, that's a good feeling.
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People tend to judge presidents on how the economy performs, and yet we don't expect them to have the power to do much about it. Or we don't want them to exercise that power, if they were to have it.
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I have never been given to envy - save for the envy I feel toward those people who have the ability to make a marriage work and endure happily.
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I always get sick of these conversations where people are so obsessed with pixels, with high definition, and even with technology in general. I find it just dull and heartless. And so I wanted to use only the worst machines.
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It's always humbling, knowing where we came from. From being friends with the janitor in the bar and being friends with the waitress - because they were some of the only people that were listening when we finished playing - to this, we are able to appreciate every single person and every single piece of it, because we came from nothing to this.
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The Haitian people are gentle and lovable except for their enormous and unconscious cruelty.
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Many people resented my impatience and honesty, but I never cared about acceptance as much as I cared about respect.
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The reason I don't carry a mobile phone is I don't want people to know where I am!
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I never said I don't like gay people.
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The priesthood is a marriage. People often start by falling in love, and they go on for years without realizing that love must change into some other love which is so unlike it that it can hardly be recognized as love at all.
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Most people don't really like to pose. It is difficult to get them to be present and relaxed under this kind of molecular scrutiny. I want them to understand I'm not simply painting them: I am painting them within a precise moment in time, as a shadow moves across their eyebrows. Then it is gone. The moment is over.
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When I was a kid - 10, 11, 12, 13 - the thing I wanted most in the world was a best friend. I wanted to be important to people; to have people that understood me. I wanted to just be close to somebody.
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I created my own charity called My Peak Challenge. We've been able to raise hundreds of thousands of pounds. It's helping change people's lives, and I've had lots of wonderful letters about it.
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To be honest, accents are one of those things for me, personally, that usually come quite naturally by just listening to the people.
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The question of boundaries is a major question of the Jewish people because the Jews are the great experts of crossing boundaries. They have a sense of identity inside themselves that doesn't permit them to cross boundaries with other people.
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A lot of people thought you couldn't be a top-level athlete as a vegan, but people like Mac Danzig and Jake Shields are proving that's wrong. And it's better for me as a performer.
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Most people have excellent necks. Now they cover them with curtains, which is kind of ridiculous. But there are some beautiful necklines that you can cut into and create wonderful backs, as well as bone structure for the face.
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It seems every year, people make the resolution to exercise and lose weight and get in shape.
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I'm not part of the friends-and-family club; I'm not part of the pay-to-play club; I'm not looking to get re-elected. I'm not looking to go to another office and fill my campaign coffers. I don't need any friends in Albany except the people of the state.
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They're lying bastards. Jews were always lying bastards throughout their history. They're a filthy, dirty, disgusting, vile, criminal people.
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If you want a bourgeois existence, you shouldn't be an actor. You're in the wrong profession.
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I don't want to own something that you can't take into your apartment at night.
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I think the poetry that came out of Belfast, and especially the Queen's University set, in the 1970s and '80s - you know, Paul Muldoon and Seamus Heaney, Derek Mahon and Ciaran Carson - that was probably the finest body of work since the Gaelic renaissance, up there with the work of Yeats and Synge and Lady Gregory.
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I like to think if something scares me, then there's a very good chance an audience will feel the same way. The key is creating scenarios that people can relate to.
