D. A. Pennebaker Quotes
If you're filming somebody doing something they really want to do, you're probably not very high on their list of problems to deal with. You see James Carville on the phone - he's like that whether you have a camera or not. He isn't doing it just for you, and that's hard to explain.

Quotes to Explore
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Music was a way of rebelling against the whole rah-rah high school thing.
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This is how it has been since time began: If you want to make something really worthwhile and true, then you have to suffer for it.
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We want our students to graduate from high school, but we want them to graduate with a plan, whether it's college or career.
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I want to have fun. I'm not interested in being a serious actor, because I think it's boring, and I think we've got plenty of them.
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I know what women want. They want to be beautiful.
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Mindsets, skills and leadership, experience and access, and critical consciousness - we need all four of these things for our students to be the leaders, people and citizens we want them to be.
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Anyone who says they want to make a game that becomes a cult classic is kinda screwy, right? I mean, you want to reach the largest audience you can.
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Never met Levinson. Ever. He directed those American Express spots for us for Seinfeld, and I was off on some guest spot that I didn't even want to do... and I got talked into doing it.
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The first time I ever recorded, which was into my boom-box, I was like, 'Wow, check that out.' It sounded great. The narcotic of it was so intense - it was pleasurable. I was like, 'You sound like a band.' Then I ended up spending the rest of my life trying to chase that initial high again.
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I feel nothing can push you till the time you want to get pushed.
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I'm not trying to be Mr. Universe, but I want to stay in shape.
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It is only because of problems that we grow mentally and spiritually.
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I'm the youngest of five girls, and I don't know about you, but it's really hard to be heard when you have five women. I've always been this loud and over the top as a person because I just want to be heard.
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Things are never perfect, so I never get too high about things, or get too down about things anymore.
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I want to direct every now and then, but I don't want to be a director.
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If someone put a camera in my face now, when I am in student mode, I would get embarrassed, but when I am modelling, I play characters.
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I have very long, wild hair, a suntan and wear knee high boots and ignore all the rules about what you should or shouldn't wear at whatever age.
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I want to make it clear that I honestly answered every question put to me during the so-called Iran-Contra hearings. But if they didn't ask me about something, I wasn't about to reveal things that would put other people in jeopardy.
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Death frames the high wire. But I don't see myself as taking risks. I do all of the preparations that a non-death seeker would do.
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In high school, I was kind of a loner because I had moved to a new school.
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After twenty years you can begin to be sure of what camera will do.
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Because human development is the most specific and exalted mission of woman, studies in anthropology and theory of pedagogy are essential in girls' education.
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The Rift, which was well over a thousand pages of manuscript, took two years.
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If you're filming somebody doing something they really want to do, you're probably not very high on their list of problems to deal with. You see James Carville on the phone - he's like that whether you have a camera or not. He isn't doing it just for you, and that's hard to explain.