Jamie Cullum Quotes
A studio allows you to indulge your untidiness and your penchant for toys and curiosities that really wouldn't work in a grown-up house.
Quotes to Explore
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I love what I do. And why not be nice? I mean, I've seen people who work and they're apparently not enjoying it, and they're making sure everybody knows it.
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I'm always trying to find 'connections' between things. That art is the juxtaposition of a lot of things that seem unrelated but add up to something recognizable.
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It was the labor movement that helped secure so much of what we take for granted today. The 40-hour work week, the minimum wage, family leave, health insurance, Social Security, Medicare, retirement plans. The cornerstones of the middle-class security all bear the union label.
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I think rap music is brought up, gangster rap in particular, as well as video games, every other thing they try to hang the ills of society on as a scapegoat.
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Children are educated by what the grown-up is and not by his talk.
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I was so worried when I left 'GH:' so scared I'd never work again.
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What Alexander Graham Bell thought up occupied less space than a flower vase. Now it's so small that I have to search all my pockets to discover I've received a spam text.
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Award shows, like the Grammys, were tough on us early in hip-hop, not even televising our categories or splitting them up on best male or female or any of that. We had to earn them.
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It was tough for him in that newsroom with Ted Baxter getting all the glory and this poor guy doing all the work. Murray worried so much he worried his hair off!
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I'm not cool enough to hang out with any rock stars. Jay-Z doesn't come over to my house. I don't hang out with Ted Nugent.
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If haters or whatever want to find you - I mean, some of them are so tenacious. You want to hire them to work for you. They're very, very savvy in terms of how they find you and get to you.
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Voting to go on strike is not a decision working people take lightly and is always accompanied by a strong sense of injustice at work. The impact of losing a day's pay is significant, not least for those in the lowest paid jobs who are already on the tightest budgets.
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I pick up on other people's discomfort.
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The real reason we ended up getting into that type of music was our dad worked for an oil company so we spent a year overseas when we were young kids. Because of that, it was all Spanish TV and radio so we ended up having these '50s and '60s tapes, tapes of that music.
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An understanding of Sor Juana's work must include an understanding of the prohibitions her work confronts. Her speech leads us to what cannot be said, what cannot be said to an orthodoxy, the orthodoxy to a tribunal, and the tribunal to a sentence.
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I always want to go back and do stand-up; I like the freedom.
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I have decided that I won't take up assignments that don't interest me.
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You can't live in a dialect without tremendous work. Like any muscle, accents and voices and languages are all formed out of the muscles that we have in our mouths and faces and tongues.
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Writers divide fairly cleanly into those who only work through what they hear and those who are more visual. I am the latter, where I lie down on my office floor and play scenes through my head to - cinematically, several times with different elements - to see what works. I can't write a scene until I can see it.
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My connections to Broward are long, and they are deep, and I'm proud of them.
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You know, when you're making a record, you come up with 15, 20 songs. Then they start to fall by the wayside as your interest wanes. It's kind of like a process of elimination to determine which songs wind up on the record.
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Anyone can die. Rule number one is don't get too attached to a character, anyone can go.
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People often ask how I got interested in the brain; my rhetorical answer is: 'How can anyone NOT be interested in it?' Everything you call 'human nature' and consciousness arises from it.
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A studio allows you to indulge your untidiness and your penchant for toys and curiosities that really wouldn't work in a grown-up house.
