Carice van Houten Quotes
Quotes to Explore
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I love working with other actors and other people - you know, stand-up - it's lonely; it's just you out there and the audience. But it's fun working with other actors. I love doing that, too.
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Ninety-five percent of the eggs produced in America come from factory-farmed birds. Even if free-range farms were hugely more humane, the sheer number of animals raised to satisfy people's desire for eggs, meat, and milk makes it impossible for us to raise them all on small, free-range farms.
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For me, acting is becoming naked in front of people, you know? And when you know in the back of your mind somebody is testing you, you cannot really bare yourself. That's a feeling I always have when I'm auditioning.
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What's great about stand-up is that you can say whatever you want and go around the country, and sometimes the world, and work on it and see how people react. You don't need Standards & Practices or notes from lawyers or producers to tell you what's funny.
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When life knocks you down, keep getting up.
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Because I'm a big guy, I was always playing the bad guy or whatever, but after I did 'The Blind Side,' where I played a father who's a really loving, likeable sort of person, a lot of those barriers were broken down. People saw me as something softer, not so much as a heavy anymore.
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It's always humbling, knowing where we came from. From being friends with the janitor in the bar and being friends with the waitress - because they were some of the only people that were listening when we finished playing - to this, we are able to appreciate every single person and every single piece of it, because we came from nothing to this.
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I grew and learned, journeyed and understood, that someone who is afraid of failing won't get anywhere, and someone who dares to do it runs the risk of failure if they don't learn, correct their mistakes, and get back up.
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We're supposed to be an example of freedom, and if we are doing things that are injustice to people, then what is our statement?
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People must be protected from prejudice against their person. But people cannot be protected from prejudice against their ideas - because otherwise we're all done.
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There's a sense of being under siege in many Muslim communities. People just assume there are agents or informants in their mosque now. It's a fact of life.
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I always try to describe making movies like summer camp, or some holiday where you spend all day, every day with a new group of people whom you kind of love and then never see again.
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All my stories are about the action of grace on a character who is not very willing to support it, but most people think of these stories as hard, hopeless and brutal.
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The conflict between the creatures of Native Lore and the immigration of the European preternatural hosts is hinted at in 'Blood Bound' and reflects the conflicts between the human immigrants and the Indian people who were already here.
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People have the problem of denial. This is one of the things I learned in Lebanon. Everybody who left Beirut when the war started, including my parents, said, 'Oh, its temporary.' It lasted 17 years! People tend to underestimate the gravity of these situations. That's how they work.
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I'm not one of those people who wake up chatting. I usually don't want to speak for the first 10 or 20 minutes. And I don't really want you to talk to me either!
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During the first 13 centuries after the birth of Jesus in Bethlehem, no one thought of setting up a creche to celebrate Christmas. The pre-eminent Christian holiday was Easter, not Christmas.
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The '90s was a decade of mundane market-consumer nothingness where there was nothing coming up from the streets; you just had someone in an office deciding what was cool.
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I connect fashion to other peoples' elegance, but not my own. I don't think I've ever felt elegant. I've felt appropriate, but never elegant, and I wonder what that must be like. I like it when other people are elegant - I prefer it - but I can't do it myself. I honestly think it's some form of autistic disorder.
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I find myself thinking more about the past as I get older... maybe because there's just more of it to think about. At the same time, I'm less haunted by it than I was as a younger person. I guess that's probably the ideal: to reach a point where you have access to all of your memories, but you don't feel victimized by them.
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These doomsday warriors look no more like soldiers than the soldiers of the Second World War looked like conquistadors. The more expert they become the more they look like lab assistants in small colleges.
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I think it's ridiculous that you need to look a certain way to be conventionally pretty.
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I feel, since 2001, this huge need for Americans to have superheroes on the screen. This idea that a super-being will protect you. That this being can go above the law but, at the end of the day, would be a good force and defeat the evil. This idea that this half-god exists. This need in the subconscious of America to find these gods.
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I pick up on other people's discomfort.
