Jane Powell Quotes
They're pretty simple. They don't have a lot of fancy gingerbread details. Everything is straight and flat and usually one-story.
Quotes to Explore
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I'm not a character like Rapunzel or Cinderella; my story looks like any other.
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It's really about, oh come on, this guy wouldn't say that or he wouldn't do that, you know, it's about the characters, about the story, about the situation.
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I've always loved massive worlds, whether in fantasy or science fiction. I like the idea of making my own rules as well as utilizing everything that I love or inspires me. It's very freeing to know you can write a story that can be as big as your own imagination.
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A story never looks as good as when the other fellow buys it.
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It's important for cinema to keep on evolving: for people, and not only teenagers, to be able to go to a movie that has huge epic scope but has an intellectual and real story to tell.
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When I watch cop shows, I really enjoy them because you can really follow the story and get involved, and the characters are always really interesting.
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What I'm trying to do is to write a story. If you take something from it, that's wonderful; if you don't, that's wonderful as well.
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I'm not a very big fan of 'Slumdog Millionaire.' I think it's visually brilliant. But I have problems with the story line. I find the storyline unconvincing.
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Sometimes it's less about the character and more about the story for me. I'll play a rock in the background if I think the story is fantastic and I can be a part of it somehow. That's what I look for.
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Every story I create, creates me. I write to create myself.
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A good story will keep you wondering about what's happening, what's going on, where does this go? Now it's going to go that way, now it's going to go that way. It has to do that. If it's predictable, it's just boring.
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People will turn their noses up at a sequel or that type of thing, but Pixar really works hard - if they're making a sequel - to make a sequel an original movie, to make it an original story.
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I was also the romantic lead in The Boston Strangler - I was the only one that lived to tell the story - so I called myself the romantic lead.
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It's really a sad story, and I liked that. The songs on this album talk about relationships in every aspect.
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I think I've played a lesbian about five times. The first one was with Helen Baxendale in a drama called 'The Investigator,' about the conditions lesbians had to live under in the army in Britain, which was based on a true story.
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With a mini series you can give the story a proper sense of pacing, a proper sense of closure.
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As a writer, I had learned a lot on 'Margin Call' about embracing the weaknesses of a narrative and of a project. A story always has an inherent narrative weakness.
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Reading a Lydia Davis story collection is like reaching into what you think is a bag of potato chips and pulling out something else entirely: a gherkin, a pepper corn, a truffle, a piece of beef jerky.
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In America, public opinion is the leader.
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'Carrie' was a pretty big-budget movie at a real studio, with a director that had already done a bunch of things and had some notoriety, and Stephen King was the writer.
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During my grief, I realised there was nothing I could do for my mother, but I did have a child.
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In general, lives seem to veer abruptly from one thing to another, to jostle and bump, to squirm. A person heads in one direction, turns sharply in mid-course, stalls, drifts, starts up again. Nothing is ever known, and inevitably we come to a place quite different from the one we set out for.
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No one remembers you for standing in the crowd . But they do remember you for standing out of it.
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They're pretty simple. They don't have a lot of fancy gingerbread details. Everything is straight and flat and usually one-story.
