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When I storyboard, they're just fragments of thoughts. I write in three acts like a movie, so I have my plot points up on the preliminary storyboard.
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Like 'Metro' and 'Motor,' 'Troublemaker' is written in first person. The only narration that happens is Barney speaking to the reader/thinking in her head. First person was a big challenge in the graphic novel because we want both men and women of all ages to enjoy 'Troublemaker.'
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There are tons of really good writers out there, but for one reason or another, they just have not had the support that allowed them to build audiences.
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I had been going around to everybody saying Katherine Heigl has to be 'Stephanie Plum', and then one day, I got that phone call saying that it was Katherine.
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I love Sherri Shepherd as Lula.
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I look at the plotline and let my co-author basically write the book; first draft. Then they give it to me, and I totally destroy it and write all my stuff over it.
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Somewhere along the line, I realized that I liked telling stories, and I decided that I would try writing. Ten years later, I finally got a book published. It was hard. I had no skills. I knew nothing about the business of getting published. So I had to keep working at it.
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I wasn't always a writer. When I went to college and majored in fine arts, I was a painter. Then I was a stay-at-home mom.
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We don't appreciate the value of humor sometimes.
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Every time I write 'Stephanie Plum', it's going to be Katherine Heigl's face there.
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I'm a real voyeur.
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I know the relationships, and I already know my characters and how I'm going to reveal my characters to my readers - how I'm going to feed them information about that character. That stuff doesn't have to be in my outline.
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We're comic book fans; we're huge NASCAR fans.