Janet Fitch Quotes
I've always been concerned with what happens to children in our society when there's nobody left to take care of them.
Quotes to Explore
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I know exactly what my values are and what I love to do. That's worth additional years right there. I say no to a lot of stuff that would be easy money but deviates from my meaning of life.
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Anya Hindmarch is indeed a handbag designer; she has the requisite fabulous life, tasteful home, and loving husband. She is also beautiful and self-deprecating, and has five children aged 5 to 20 and a philanthropic bent which spans causes from cancer care to Britain's Conservative Party.
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Working moms commonly testify that they feel guilty when they are away from their children and guilty when they are not at their jobs. Devoted fathers certainly miss their children deeply, but it does not seem to be with the same gnawing, primal anxiety that often afflicts women.
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I am on Facebook, but mainly as a way to spy on my children. I find out more about them from their Facebook pages than from what they tell me.
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'Hell is for Children' is amazing to do every night and 'Promises in the Dark' and 'Love Is a Battlefied,' of course, but my absolute favorite would be 'Heartbreaker.' It's the one that started everything, so it has a very special place in my heart. And it still rocks every night! It's so fun to do.
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My specialty is two things: music or really strange stories.
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If you ask an economist what's driven economic growth, it's been major advances in things that mattered - the mechanization of farming, mass manufacturing, things like that. The problem is, our society is not organized around doing that.
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Do our children now have to choose between getting an education and dying? Some of us cannot move on and accept that kind of society.
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Folklore has a moral center to it. Folklore is always, always, always on the side of the underdog, and children have a natural instinct towards justice. They feel indignation at needless cruelty and wistfulness about acts of mercy and kindness.
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Society exists only as a mental concept; in the real world there are only individuals.
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I've been influenced by some of the greatest designers. Charles Eames. And Bruno Munari in the '50s in Italy - when they had to retool the industry of war into an industry to help society. In a way, I'm influenced by designers that were there at a radical time of change.
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My grandparents never understood why my mother Noreen chose such exotic names for her children: Damon and me. My granny insisted on calling my brother Dermot - a good Irish name - until she died; I was just known as 'wee one.'
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Like the United Nations, there is something inspirational about New York as a great melting pot of different cultures and traditions. And if this is the city that never sleeps, the United Nations works tirelessly, around the clock around the world.
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I think something happens to us biologically when we have children where the worry sets in immediately. And I don't think that ever goes away. But you have to fight your instincts to build walls up around your children or to want to shelter and protect them from everything.
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As philanthropists, the most powerful legacy we can create is one that keeps on giving - through our children.
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If history judges society for how it treats those in need, so markets judge economies by the incentives they provide for private investment, the infrastructure that supports growth, and the burdens placed on job creation.
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I always choose roles that are, you know, hopefully different from the last role. I don't wanna do the same thing over and over again because that's, well, first of all that's no fun.
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Arab society features apartheid of women, apartheid of homosexuals, and apartheid of Christians, Jews, and democracy.
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The trouble with children is that they're not returnable.
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I have 17 full-time archivists working for me who put away in books all the diversity of artwork I do, from drawing to etching to monotypes to prints to lithographs.
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I've been up the coast of St-Barts, playing with spidermonkies, tripping on acid. Changed my whole perspective on shit.
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A lot of comedies in the 1980s and 1990s had all these colors and were so brightly lit. But John Landis had this dark style, like a Scorsese film.
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I've always been concerned with what happens to children in our society when there's nobody left to take care of them.
