Frank Peretti Quotes
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I'm a very methodical writer. Before computers, I used reams of paper and stacks of index cards.
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There are writers, and there are readers who want something more. They want to get at the grist of life.
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There's nothing sacred about the book you've written. The Bible says there's safety in a multitude of counselors. The movie is the movie, and the book is the book. They're different critters, and each must stand on their own merits.
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I like doing thrillers.
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Some folks run from the doubt and go backward. You try for all the spiritual Band-Aids you can find... when actually, what you need to do is press forward, to accept those doubts and work through them.
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When you are writing for the Christian culture, there is a whole gamut of expectations.
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There's a reason evolution is a hot-button issue. It's not just a matter of science, either. It's a matter of the big questions in life - why are we here, what is truth, where is our moral basis?
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'Illusion' is a story of God's love and our hunger to find him when we're separated from him. If I can paint a picture of two people still in love after 40 years, that's a pretty good message.
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I don't watch television.
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When people get their mind made up about something, then it's: 'Don't bother me with facts.' They've got their minds made up and dismiss you out of hand. Some people don't even give you a fair hearing.
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I always want to be on the cutting edge.
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My earlier books, 'The Oath,' 'This Present Darkness' were pretty straight adventure. 'The Visitation' is like a deeper book, more thought-provoking. It probes at character more.
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I try to write cinematically. Let me define what I mean by that. First of all, I try to write in a visual way so that the reader can watch a movie in their head. And it keeps moving. I try to structure the stories like a screenplay may be structured.
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I'm just a slow writer. I'm picky and careful and fastidious.
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The logical outcome of evolution is that it makes monsters. We turn into monsters because evolution takes away everything that makes us human in the sense of our moral accountability, our moral absolutes, and our idea of being distinct from the animal kingdom.
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Generally, my notes and outlines comprise more words than my novels. I suppose that's one reason I'm a comparatively slow writer, something that has always bothered me given the fact that other authors can turn out a book every six months while I usually take about two years.
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The Lord God carries us throughout our lives just as a father carries his child. The Lord carried me, and He still is. He made you. He knows what you're good at. He knows what you can do and what you can become. Trust Him. Love Him. He'll always love you back.
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Kids are not going to sit and read a slow-paced book. Neither are adults.
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A good book or movie or screenplay should be emotionally satisfying. When they're done, you want people to breathe a deep sigh and say, 'Wow.'
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I became very timid, very retreating. I wouldn't talk to anybody. I didn't look you in the eye. I just had that kind of personality as a kid that basically puts a target on you.
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The people that usually have the most trouble with my books are the ones that pick them apart from a theological point of view.
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I wanted to write a novel where the meaning is in the story and characters and the subliminal, in the shades and nuances. It's exciting to develop that as a writer.
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At the bottom of a Peretti novel is the biblical view of things, the Christian message. Whether you're a Christian or not, you're still going to have to deal with good versus evil.
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My main goal is still for the books to minister in some way, to teach a spiritual truth, to enlighten people.