Penn Jillette Quotes
Quotes to Explore
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I started calling myself the Pied Piper, when I started using the flute sound in my music.
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We have been given a role to play. We have been asked to provide, to give lectures on the role of Islamic development and the way we do it here, so the people who are Muslims there would understand what the role of Islam is.
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I lose film roles because I'm a person who doesn't keep quiet about certain things. But if my heart tells me something is wrong, I'm going to go and do something about it.
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Solutions will not be found while Indigenous people are treated as victims for whom someone else must find solutions.
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Any well-read man knows that the moral difference between the condition of the world before Christianity was planted and since Christianity took root is the difference between night and day, the kingdom of heaven and the kingdom of the devil.
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In Hollywood they're getting younger, but believe me, it's not the food. It's the plastic surgery.
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We keep score in life because it matters. It counts. It matters. Too many people opt out and never discover their own abilities because they fear failure. They don't understand commitment.
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What I find is that it's the middle-aged authors who have lived a life who have the most important, interesting voices. They just need someone to give them the key to unlock the door.
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The minute I saw the front page of the 'Daily Telegraph' - me with my arm around the latest 'X-Factor' contestant - I realised I'd gone into a new realm.
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I think the system is broken; most people think that it's broken. And we think that what we're going to do is invigorate the political system and allow for this country to be turned around.
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I think most people's careers in theater are based on delusion. It's just that mine started early.
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I'm not really clear what the whole deal is with flags. I like my flag, but I wouldn't die for it. There's issues of identity, of course. That's going to always come in. I, for example, don't want to be called a 'North Britisher.' I want to be Scottish.
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Many of my songs were dance orientated from way back. That's because I love dance! When I hear a dance number, just hearing the first eight bars, it immediately makes my bod start moving and dancing.
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I don't want to broadcast my personal life because I feel it's off-putting.
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My parents made the decision never to focus on my looks, and I had no sense of myself as beautiful.
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Give me a child and I'll shape him into anything.
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As God commands us men to teach your wife, to teach your children - to be the spiritual leader of your family - you're acting as a priest. Now, unfortunately, unfortunately, in too many Christian homes, the role of the priest is assumed by the wife.
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When you're young, with less on the line, it's easier to be audacious, to experiment. So I introduced the concerns of my generation - politics, sex, drugs, rock-and-roll, etc. - to the comics page, which for many years caused a rolling furor.
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I don't think I was a fine game coach. I'm trying to be honest. I think I was a good practice coach.
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I do remember a lot of teachers saying I would do well on TV, as I have a 'modern look,' but I never knew how to take that.
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I wanted to be like my father, who was a cattle man and a rodeo roper. And that was - he was my hero, and I wanted to be more like him.
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The physical stamina [in Revolution]. I was just shocked by it. I didn't think I had it in me ever, and I wasn't terribly young when I did it. I was in my early forties. That was the first thing I was struck by, not by the acting, not by anything else, but by the physicality.
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Obviously Iran is a very large problem. It's hard to decide what the number one issue [is], but that is a very threatening problem.
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Tommy Smothers is a hero of mine.
