Pierre Bonnard Quotes
I have all my subjects to hand. I go back and look at them. I take notes. Then I go home. And before I start painting I reflect, I dream.
Quotes to Explore
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I am not content to entrust our free-speech rights to the good graces and whims of Congress and hope that politicians don't abuse their power.
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If you're an English actor and turn up in America, they don't have an opinion about where you sit. They have no idea what auditions to send you to, so they send you to everything.
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I've had Irish skin from the time I was a young girl.
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The success of 'The Shadow of the Wind' made me very happy, but it did not change my perspective or the way I was.
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May Heaven be propitious, and smile on the cause of my country.
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While teaching, I also worked undercover in the lower courts by saying I was a young law teacher wanting experience in criminal law. The judges were happy to assist me but what I learned was how corrupt the lower courts were. Judges were accepting money right in the courtroom.
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In our local Baptist church, I sang in the choir and formed a gospel quartet. When our minister caught me messing with his guitar, he taught me three positions – one, four and five. After that, I taught myself to play.
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Playing Juliet in 'Heavenly Creatures' changed my life, and the role of Clementine in' Eternal Sunshine of the Spotless Mind' opened many new doors creatively.
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So long as the Zulu people are here, clearly I will still have a role to play in this country.
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But the issue has to do with land, which is our land.
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If you respect a language and culture, it shows in your work.
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My dad moved to London in his early 20s and didn't really go back. So the irony is I've spent lots and lots of time in Ireland, but not with my dad. I've shot films in Belfast, where he's from. And I've shot in Dun Laoghaire. Which is great. And I've shot in Dublin.
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Animals are companions on this planet, not necessarily our feedbags.
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Exposing your ignorance is how you get somebody to embrace you.
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I think generally, in life, I try to always ensure that there are periodic moments where I do venture out of my comfort zone, because that's what keeps you alive. That's what keeps you from getting stale.
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I'll talk about these things, but it's just, you know, you only get so much time and I'm much more interested in what I'm going to be doing next year than in something I did 10 years ago.
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I don't know how television or radio is going to survive without newspapers because that's where they get all their news. It's going to be hopeless.
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An English journalist called Michael Viney told me when I was 25, that I would write well if I cared a lot what I was writing about. That worked. I went home that day and wrote about parents not understanding their children as well as we teachers did, and it was published the very next week.
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When you get out there on the mound, you've got what you've got, and you got to figure out a way to get outs.
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I'm not final because I'm right, I'm right because I'm final.
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You always see people coming back to the sport, and I've always thought, 'Gosh, when you're done playing, wouldn't you just want to stay at home?'
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His wit invites you by his looks to come, But when you knock, it never is at home.
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We might say that the dream tranforms the dreamer; that it possesses the ability to 'initiate', to bestow new meaning, to motivate new beginnings (Latin: initium - beginning), to permit our entrance (literally 'en-trance'; Latin: inire init - to go in) to new orders of relation between ourselves and the 'other'.
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I have all my subjects to hand. I go back and look at them. I take notes. Then I go home. And before I start painting I reflect, I dream.
