Pierre Corneille Quotes
Quotes to Explore
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We have 200,000 kids a year who drop out of the French school system and have no hope. They become a drag on society.
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We have been given a role to play. We have been asked to provide, to give lectures on the role of Islamic development and the way we do it here, so the people who are Muslims there would understand what the role of Islam is.
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I would love to have been around in the Keystone Studios days.
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I've always been extremely physical. I was a gymnast for 15 years, and then I was a dancer for nine, so I was kind of looking for these parts. But we have a tendency in Denmark not to do many action films.
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Unless you work for '60 Minutes', your life is: You do stories about things, and nothing happens as a result.
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I don't want to be on the Internet.
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I don't feel closeted.
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But acting just sort of happened and I found that I loved it. It was such a challenge.
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I'm vain enough to think that I've made a successful life. I've had everything I've ever wanted. You can't beat that.
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I was the family alien. Both my parents are quite creative, but I was... appalling... always putting on little shows. I was rather a shy child, not a natural performer, but there was a performative edge to everything I did.
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I met dozens of pilots and would go on dates. I had the opportunity to go up in one of the planes, but I was scared of flying.
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My dad was very fun and very adventurous, and from a formative age I learned to value men who would do things on a whim.
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I just try to get away with as much as I can. I don't think that's very radical in the art world.
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The real problem with the art world is not the money men scavenging in its wake - they've always been there - but the pirates who've taken over the ship. I am thinking, of course, of that awful art world species: the curator.
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If I'm not doing anything, I get really antsy and bored.
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I'm from a generation of fantastic actresses. It's a big pool of really wonderful actresses, and so many of them we never even get to see on the screen anymore.
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I want money; I just don't want that money lying around.
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The English king's power was curbed by Parliament, though that wasn't always a good thing, as politicians often behave no better than monarchs - there are just more of them.
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Medicine, you see, is my first love; whether I write fiction or nonfiction, and even when it has nothing to do with medicine, it's still about medicine. After all, what is medicine but life plus? So I write about life.
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Life and consciousness are the two great mysteries. Actually, their substrates are the inanimate. And how do you get from neurons shooting around in the brain to the thought that pops up in your head and mine? There's something deeply mysterious about that. And if you're not struck by the mystery, I think you haven't thought about it.
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If the point of life is the same as the point of a story, the point of life is character transformation. If I got any comfort as I set out on my first story, it was that in nearly every story, the protagonist is transformed. He's a jerk at the beginning and nice at the end, or a coward at the beginning and brave at the end. If the character doesn't change, the story hasn't happened yet. And if story is derived from real life, if story is just condensed version of life then life itself may be designed to change us so that we evolve from one kind of person to another.
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I work 12 hours a day, seven days a week - and I love it. I'm creative. I feel fulfilled. I'm from a solidly lower-middle-class background; I'm not from the world that I'm in now. So I appreciate it a lot. I've really got a rich, full life.
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I've always had influences from all over the place, like Mr. Bungle and Primus. As a band, we try not to focus too much on where it's coming from, because we're always listening to music.
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One half of my life has put the other half in the grave.