Pierre de Coubertin Quotes
In our view the Olympic idea involves a strong physical culture supplemented on the one hand by mobility, what is so aptly called 'fair play', and on the other hand by aesthetics, that is the cultivation of what is beautiful and graceful.
Quotes to Explore
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You go where you think it's good for your work and your soul to go. I need to go someplace where I am reminded about why I wanted to act in the first place, and for me, that's the theater.
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I come bearing an olive branch in one hand, and the freedom fighter's gun in the other. Do not let the olive branch fall from my hand.
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I would love to have been around in the Keystone Studios days.
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As a musician myself, it annoys the hell out of me to watch an actor trying to play a guitar out of time with the music.
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Fashion's important to me, but beauty fades. All that stuff is fun while it lasts, but anything can happen tomorrow. You've got to have so much more about you than the way you look or your clothes.
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I consider myself a writer who happens to write about history, rather than a historian. I was an English major in college. What I've learned about history is in the field, so to speak. Going into the archives and working with it directly.
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We need to be very well aware of the fact that China and Russia are using technology to attack us, just as ISIS is using technology to recruit those who would murder American citizens.
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You don't need to wear Spanx if you buy my clothes. The dress, the trousers, the pencil skirt - they should do the work.
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Back in those days intimidation was the greatest tool the drill instructor had. Without that tool, he would not have had control.
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The mind is a monkey, hopping around from thought to thought, image to image. Rarely do more than a few seconds go by in which the mind can remain single-pointed, empty.
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People dream their whole lives of their Oscar speech; I dreamt my whole life of hosting the Oscars.
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My wife and I have very deep roots in Colorado, and we can't see ourselves living anywhere else.
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I remember when I was in third grade, I was in a classroom, and the teacher said, 'What do you want to do when you get older?' We were going around the room. I said, 'I want to be a professional basketball player.' She's like, 'That's not realistic.' I thought to myself, 'OK, watch.'
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After I lost my fiance, it seemed like it would be better to always be alone than to risk being hurt again.
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We did a lot of those road trips, all the mandatory stuff that you should when you're a kid, like Mount Rushmore and the Grand Canyon and the Sequoias and the western coast.
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Success breeds success, and failure leads to a sort of fallow period.
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I think Hollywood wants to be safe. The things you do first become your calling card, and I think people just sort of go, 'Well, we know he can do that.' They kind of put you in that hole.
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I used to go in for Disney auditions, and they'd tell me, 'You're cute and nice but just not funny.'
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I think if you're forthright and answer a lot of questions, sometimes you'll get people who won't let you answer the questions, and that makes for a difficult answer.
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They brought the house up-to-date and did it in a beautiful way.
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I usually say I left puberty at 58.
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The anorexic is out to prove how little she needs, how little she can survive on; she is out, in a sense, to discredit her nurturers, while at the same time making a public crisis out of her need for nurture. Such vulnerability and such power: it brings the whole female machinery to a halt.
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Motion Picture Soundtrack on Kid A was another Coltrane inspiration.
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In our view the Olympic idea involves a strong physical culture supplemented on the one hand by mobility, what is so aptly called 'fair play', and on the other hand by aesthetics, that is the cultivation of what is beautiful and graceful.
