Brian Eno Quotes
We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
Quotes to Explore
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What we do for a living does not matter so much as how we do it. It is the spirit in which we do our work that counts, and that counts through all eternity.
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I was probably never going to get to do the kind of things dramatically that I really wanted to do, so I returned to theater from time to time, and to write, and produce. It's by no means sour grapes.
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Thoughts without content are empty, intuitions without concepts are blind.
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Palestinian propagandists can say and do anything they please without concern for the truth, in the belief that if they repeat it often enough it will simply become the truth.
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Love is not the dying moan of a distant violin - it's the triumphant twang of a bedspring.
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That's always the trick with the sequels, is how much do you repeat from the first one. Because we all get bummed out when you go see a sequel and it's beat for beat.
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You know, the Brits had a way of - running an empire. And I don't think America is comfortable with an empire.
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I try to be as ignorant about things as I can.
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There's no regrets for me.
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I think it's a problem when something's a dream because it'll never live up to your expectations. It's better to go somewhere thinking it'll be horrible, and then be pleasantly surprised.
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As an actor, you don't want to play a one-dimensional character.
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The two championship contenders, Dario Franchitti and Will Power, are starting right next to each other in the middle of the grid. Honestly, if I can be fast enough early in the race to be able to get up there and latch onto those two, it will be pure entertainment. It's going to be a pack race, and you never know how that's going to turn out.
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I started traveling by myself as early as 5 to see my dad. I'd go to Toronto or Los Angeles, depending on what show he was doing, but most often New York, and we would hang out, and he'd take me to museums and Broadway plays. The ones that had the biggest impact on me were the George C. Wolfe productions.
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The safest and most suitable form of penance seems to be that which causes pain in the flesh but does not penetrate to the bones, that is, which causes suffering but not sickness.
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Intellectually, I am already an old man. But in the sensory area, I am still such a child! I shuffle on my bottom between the two.
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I see myself as a composer who plays music and likes to play with other people, and not just as a solo artist.
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There are other ways of finding satisfaction, recipes for human happiness, enjoyment, dignified and meaningful, gratifying life, than increased consumption that increases production.
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We'll only be playing four new songs live, but all the material for the next album is basically finished.
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I can understand the natural anxiety of readers when waiting for another installment of a favourite series, but I think it is much more important to get a book right than it is to have it appear on time.
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There has always been a saying in baseball that you can't make a hitter, but I think you can improve a hitter. More than you can improve a fielder. More mistakes are made hitting than in any other part of the game.
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There are plenty of reasons for hope. There need be no war with Russia, and those who would fight her now, on the theory that we had better do it and get it over with, are lightheaded promoters of world destruction.
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When you are studying jazz, the best thing to do is listen to records or listen to live music. It isn't as though you go to a teacher. You just listen as much as you can and absorb everything.
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Desolate-Life is so dreary and desolate-Women and men in the crowd meet and mingle,Yet with itself every soul standeth single,Deep out of sympathy moaning its moan-Holding and having its brief exultation-Making its lonesome and low lamentation-Fighting its terrible conflicts alone.
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We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
