Brian Eno Quotes
Frequently, I go straight into the studio and see what's around. I might hire a couple of instruments that I've never used - maybe a particular type of electronic organ or an echo unit. Then I just dabble with sounds until something starts to happen that suggests a texture. The texture suggests some kind of mood, and the mood suggests some kind of lyric. That's like working in reverse, often quite the other way around, from sound to song. Although often they stop before they get to the song stage.
Quotes to Explore
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If you're going to play the game properly, you'd better know every rule.
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Music itself is a great source of relaxation. Parts of it anyway. Working in the studio, that's not relaxing, but playing an instrument that I don't know how to play is unbelievably relaxing, because I don't have any pressure on me.
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I am obsessed with proportion, and how proportion is perceived.
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I made sacrifices willingly; it was what I did best.
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The atmosphere seems to change once the sun goes down and the race fans get to watch a good show.
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I still consider myself a working-class girl and would send my kids to public school.
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Being able to walk out of the studio after a week of intense recording and jump into a cold sea and sit in a hot spring and soak for a few hours completely resets the whole system. Really refreshing. For me, it's all about stepping out of the ordinary. Even psychically.
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My job isn't to preach to people, it's to entertain them. I like letting the characters speak for themselves.
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Baking is my pastime. I just love creating things. But it's not what I want to do for a living. Acting is what I want to do.
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I loved Judy Garland. I thought she was such a classic beauty. I thought she was so endearing and charming, and I loved her voice. She was such a dreamer, and I think I was, too - and I am.
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If you have a great-sounding guitar that's a quality instrument and a good amp, and you know how to make the guitar talk, that's the key. It starts with the guitar and knowing what it should sound and feel like.
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I'm the girl who - I call it girl-next-door-itis - the hot guy is friends with and gets all his relationship advice from but never considers dating.
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I'd say Juventus has a story as legendary as the Yankees.
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My aim in painting is to create pulsating, luminous, and open surfaces that emanate a mystic light, in accordance with my deepest insight into the experience of life and nature.
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I eat super clean and am always watching what I eat.
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The interval between a cold expectation and a warm desire may be filled by expectations of varying degrees of warmth or by desires of varying degrees of coldness.
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I'm obsessed with Marcus Mumford. I've got to know him recently; he's amazing.
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Perhaps scientists will eventually discover that we are all clockwork bunnies, and our experience of volition is an electro-chemical illusion.
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Big picture, it's amazing to create characters and see them brought to life in the art. And to love that art. But I especially enjoy writing a character with heightened powers that aren't especially useful to him.
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It is a sad and very melancholy scene, which must strike everyone who knows and feels that we also have to pass one day through the valley of the shadow of death, and “que la fin de la vie humaine, ce sont des larmes ou des cheveux blancs.” What lies beyond this is a great mystery that only God knows, but He has revealed absolutely through His word that there is a resurrection of the dead.
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I find inspiration for my works of art in my studio and in the squared circle from all sorts of places.
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Frequently, I go straight into the studio and see what's around. I might hire a couple of instruments that I've never used - maybe a particular type of electronic organ or an echo unit. Then I just dabble with sounds until something starts to happen that suggests a texture. The texture suggests some kind of mood, and the mood suggests some kind of lyric. That's like working in reverse, often quite the other way around, from sound to song. Although often they stop before they get to the song stage.
