Brian Eno Quotes
Frequently, I go straight into the studio and see what's around. I might hire a couple of instruments that I've never used - maybe a particular type of electronic organ or an echo unit. Then I just dabble with sounds until something starts to happen that suggests a texture. The texture suggests some kind of mood, and the mood suggests some kind of lyric. That's like working in reverse, often quite the other way around, from sound to song. Although often they stop before they get to the song stage.
Quotes to Explore
-
If you're going to play the game properly, you'd better know every rule.
-
Music itself is a great source of relaxation. Parts of it anyway. Working in the studio, that's not relaxing, but playing an instrument that I don't know how to play is unbelievably relaxing, because I don't have any pressure on me.
-
I am obsessed with proportion, and how proportion is perceived.
-
I made sacrifices willingly; it was what I did best.
-
The atmosphere seems to change once the sun goes down and the race fans get to watch a good show.
-
I still consider myself a working-class girl and would send my kids to public school.
-
Being able to walk out of the studio after a week of intense recording and jump into a cold sea and sit in a hot spring and soak for a few hours completely resets the whole system. Really refreshing. For me, it's all about stepping out of the ordinary. Even psychically.
-
My job isn't to preach to people, it's to entertain them. I like letting the characters speak for themselves.
-
Baking is my pastime. I just love creating things. But it's not what I want to do for a living. Acting is what I want to do.
-
I loved Judy Garland. I thought she was such a classic beauty. I thought she was so endearing and charming, and I loved her voice. She was such a dreamer, and I think I was, too - and I am.
-
If you have a great-sounding guitar that's a quality instrument and a good amp, and you know how to make the guitar talk, that's the key. It starts with the guitar and knowing what it should sound and feel like.
-
I'm the girl who - I call it girl-next-door-itis - the hot guy is friends with and gets all his relationship advice from but never considers dating.
-
I'd say Juventus has a story as legendary as the Yankees.
-
My aim in painting is to create pulsating, luminous, and open surfaces that emanate a mystic light, in accordance with my deepest insight into the experience of life and nature.
-
I eat super clean and am always watching what I eat.
-
The interval between a cold expectation and a warm desire may be filled by expectations of varying degrees of warmth or by desires of varying degrees of coldness.
-
I'm obsessed with Marcus Mumford. I've got to know him recently; he's amazing.
-
Dismissals of poetry are nothing new. It's easy to dismiss poetry if one has not read much of it.
-
As this book will show, objectively defined races simply do not exist. Even Arthur Mourant realized that fact nearly fifty years ago, when he wrote: 'Rather does a study of blood groups show a heterogeneity in the proudest nation and support the view that the races of the present day are but temporary integrations in the constant process of . . . mixing that marks the history of every living species.' The temptation to classify the human species into categories which have no objective basis is an inevitable but regrettable consequence of the gene frequency system when it is taken too far. For several years the study of human genetics got firmly bogged down in the intellectually pointless (and morally dangerous) morass of constructing ever more detailed classifications of human population groups.
-
I think of 'Twilight' in terms of the fact that the popularity has given us the opportunity to do the things that we love, and now we can pick and choose.
-
Some wars have been due to the lust of rulers for power and glory, or to revenge to wipe out the humiliation of a former defeat.
-
When I started trying to produce records for other people, one of the first tracks I wrote and produced was sort of a 'Kelly Clarkson circa 2008,' kind of big-brassy, guitar-pop, rock song. I was like, 'I can do this. I can make pop songs.' It was bad.
-
I'm trying to encourage my children's generation and the other ones coming to return to basic American principles.
-
Frequently, I go straight into the studio and see what's around. I might hire a couple of instruments that I've never used - maybe a particular type of electronic organ or an echo unit. Then I just dabble with sounds until something starts to happen that suggests a texture. The texture suggests some kind of mood, and the mood suggests some kind of lyric. That's like working in reverse, often quite the other way around, from sound to song. Although often they stop before they get to the song stage.
