Brian Eno Quotes
Frequently, I go straight into the studio and see what's around. I might hire a couple of instruments that I've never used - maybe a particular type of electronic organ or an echo unit. Then I just dabble with sounds until something starts to happen that suggests a texture. The texture suggests some kind of mood, and the mood suggests some kind of lyric. That's like working in reverse, often quite the other way around, from sound to song. Although often they stop before they get to the song stage.
Quotes to Explore
-
If you're going to play the game properly, you'd better know every rule.
Barbara Jordan
-
Music itself is a great source of relaxation. Parts of it anyway. Working in the studio, that's not relaxing, but playing an instrument that I don't know how to play is unbelievably relaxing, because I don't have any pressure on me.
Jackson Browne
-
I am obsessed with proportion, and how proportion is perceived.
L'Wren Scott
-
I made sacrifices willingly; it was what I did best.
Karen McCarthy
-
The atmosphere seems to change once the sun goes down and the race fans get to watch a good show.
Dale Earnhardt
-
I still consider myself a working-class girl and would send my kids to public school.
Samantha Fox
-
Being able to walk out of the studio after a week of intense recording and jump into a cold sea and sit in a hot spring and soak for a few hours completely resets the whole system. Really refreshing. For me, it's all about stepping out of the ordinary. Even psychically.
Damien Rice
-
My job isn't to preach to people, it's to entertain them. I like letting the characters speak for themselves.
Karin Slaughter
-
Baking is my pastime. I just love creating things. But it's not what I want to do for a living. Acting is what I want to do.
Ed Oxenbould
-
I loved Judy Garland. I thought she was such a classic beauty. I thought she was so endearing and charming, and I loved her voice. She was such a dreamer, and I think I was, too - and I am.
Kara Lindsay
-
If you have a great-sounding guitar that's a quality instrument and a good amp, and you know how to make the guitar talk, that's the key. It starts with the guitar and knowing what it should sound and feel like.
Eddie Van Halen Van Halen
-
I'm the girl who - I call it girl-next-door-itis - the hot guy is friends with and gets all his relationship advice from but never considers dating.
Taylor Swift
-
I'd say Juventus has a story as legendary as the Yankees.
Lapo Elkann
-
My aim in painting is to create pulsating, luminous, and open surfaces that emanate a mystic light, in accordance with my deepest insight into the experience of life and nature.
Hans Hofmann
-
I eat super clean and am always watching what I eat.
Laura Prepon
-
The interval between a cold expectation and a warm desire may be filled by expectations of varying degrees of warmth or by desires of varying degrees of coldness.
Samuel Alexander
-
I'm obsessed with Marcus Mumford. I've got to know him recently; he's amazing.
Sam Smith
-
Dismissals of poetry are nothing new. It's easy to dismiss poetry if one has not read much of it.
Natasha Trethewey
-
There are really three parts to the creative process. First there is inspiration, then there is the execution, and finally there is the release.
Eddie Van Halen Van Halen
-
Although globalization and technological change have disrupted traditional work arrangements, both processes have the potential to benefit everyone. The fact that they have not suggests that the wealthy have captured the benefits for themselves.
Angus Deaton
-
It is psychologically very hard to go through life without the justification, and the hope, provided by religion.
Umberto Eco
-
They keep the song as street as it needs to be. It's got a good catchy hook where it can do what it needs to do on the radio, but they keep the song street where it will keep credibility in the hood.
Jermaine Dupri Mauldin
-
Frequently, I go straight into the studio and see what's around. I might hire a couple of instruments that I've never used - maybe a particular type of electronic organ or an echo unit. Then I just dabble with sounds until something starts to happen that suggests a texture. The texture suggests some kind of mood, and the mood suggests some kind of lyric. That's like working in reverse, often quite the other way around, from sound to song. Although often they stop before they get to the song stage.
Brian Eno Roxy Music