Brian Fallon Quotes
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I do find that I tend to write about big questions. Why are we here? What are we doing? How do we relate to each other?
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Too many bands record an album and feel, 'Well, this is okay,' but after a time, they grow to not like it.
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It's amazing to me: when people start their career, you write about maybe a couple of topics, and you find that as you grow older, a lot of those topics never resolve, because I think your job as a writer is to pose questions as you see them. I don't know if we're supposed to give answers to people, because I don't know if we have any.
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I don't really hate a lot of songs, but I think Weezer has put out some songs I really hate because they've also put out a lot of songs I really like.
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When Tupac came out, my writing changed for sure. I learned from it. It was a cultural thing.
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You pay your bills and you take care of your family, or you're not a man.
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People don't remember that during the Fifties and Sixties there was a Cold War, and kids were getting under their desks during school because they thought they were going to get bombed. So it wasn't really that ideal at all.
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When I first started fingerpicking, the first thing I learned was 'Don't Think Twice It's Alright' from Bob Dylan.
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I think I lose myself in interviews sometimes.
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When you set out to carry on a tradition as deep rooted as folk music is, you've got to have your story together. You've got to study and have a foundation. Jeffrey Foucault has that foundation, and you can hear it in his voice, and feel it in his music. He's got an understanding that you don't hear that often.
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With 'Get Hurt,' we wanted to see where else we could go with the band. We thought it was time to change things up a bit. The song itself is similar to the feeling of a wreck you see coming, but long past the point you can avoid it.
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It's a beautiful thing, to start over.
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I'm one of those people who, even if I'm invited somewhere, I still kinda feel like I'm not supposed to be there.
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Everyone always says, 'We don't want to be pigeonholed.' But sometimes, your pigeonhole is a great place to be.
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I like movies and radios and Bruce Springsteen and New Jersey. That's what I like, and if people don't like that, well, literally you can go on iTunes, and there's hundreds of other bands you can listen to.
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We come from that school where we don't believe we're different from you, and it's insulting to me on some kind of weird level that musicians are put on a pedestal.
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I don't go to rock bars. Why would I go to rock bars? I can do that every night; it's boring.
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It's all about knowing your audience. When I buy a record by a band and it sounds completely different, I'm just like, 'Why didn't you change your band name?'
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Everyone should see 'A Nightmare Before Christmas,' hear 'London Calling,' and read 'Great Expectations.'
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I was never a fan of open tunings, because some people will do that and fumble around. But that's not my jam.
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There can be a wrong time - it's happened to countless bands where they release their first record on a major label and never learned what they maybe should have learned on an indie.
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When you write a lot of songs, sometimes you don't have a place for them, and you need an outlet for them.
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When 'American Slang' came out, everyone was like, 'This is the next big band in the world, and this is blah blah blah Bruce Springsteen Junior and blah blah blah,' and I was just like, 'I don't know what that means. I don't know. We'll see.'
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I can't really see myself writing about politics because I'm not really into it, and one of the worst things you can do is write about things you're not into.