Brian Grazer Quotes
Everybody in Hollywood has to beat the 'no' - and if you write code in Silicon Valley, or if you design cars in Detroit, if you manage hedge funds in Lower Manhattan, you also have to learn to beat the 'no.'
Quotes to Explore
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Origin stories are really important to me. I just like that sort of stuff and I feel like it makes a lot of sense to the guys, who they are. If you don't have that stuff, it's kind of a one dimensional version of it.
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My first published work was when I was 19, in 'Playgirl.' It was an odd experience but exciting.
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Every child should at least grow up in family rather than without one.
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I have five horses. My first was a professional jumper named Santos. I got him when I was 18.
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I sometimes wonder how we're short of cod. There's gonna be a load deep down that are hiding. But it's a good reason to put the price up, and it means a load of people will have haddock. They should tell people they're running out of all sorts. Make 'em panic a bit.
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I am not a great theologian. I know there is a theological concept called invincible ignorance in which a strong enough faith binds you to any facts to the contrary.
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I have lots of passions - gardens, art, music and reading. I have eclectic taste and read a huge variety of books.
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I was, by the way - I'm an Essex lad, born and raised in Essex in the U.K.
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To play four hands requires two people who have great affinity for each other.
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The striking thing about the Precious Blood is the bond it establishes between love and suffering in our experience, a bond that has become so close that we have come to think of suffering accepted with joy as the most authentic sign of love with any depth at all.
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When you're mid-season, in very intense situations, it's hard not to take that home with you. Especially when you're sleeping, you can't control what you dream about. And it sneaks into the unconscious.
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When you're competitive, the last thing you want to do is come out of a game, regardless of what kind of injury it is - whether it's an ankle, a knee, a rib, or a head injury.
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One Hundred Year Starship really is about the idea that is we pursue an extraordinary tomorrow; we'll build a better world today.
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But I think the thing I'm proud of about the film is that there aren't many films - either independent films or mainstream Hollywood films - that are like this; it's of its own times, and it's the film Mike Nichols wanted to make.
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People win Oscars, and then it seems like they fall off the planet. And that's partly because a huge expectation walks in the room and sits right down on top of your head. The moment I won the Oscar, I felt the teardown the very next day.
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You are not a problem that needs solving.
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I just mean it's very difficult for me to watch my work, in some ways, because I am critical of what I didn't get across or I thought I was making one point.
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The outsider, Haller says, is a self-divided man; being self-divided, his chief desire is to be unified. He is selfish as a man with a lifelong raging toothache.
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You're always in a different headspace when you make each record, so hopefully they're all different. You just pick up things that you wish you hadn't done on the first one.
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I studied graphic design originally. I used to like drawing, and I was quite into technical drawing. I was always interested in the visual medium, but I thought I was going to be an architect or something like that, but it's quite a lonely job.
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Being a director is almost like being another sort of character, but you're out of view.
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She'll turn her music on you You won't have to think twiceShe's pure as New York snow She's got Bette Davis eyes
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Everybody in Hollywood has to beat the 'no' - and if you write code in Silicon Valley, or if you design cars in Detroit, if you manage hedge funds in Lower Manhattan, you also have to learn to beat the 'no.'
