Vaclav Klaus Quotes
We served on the editorial board of a literary monthly called Face in 1968 and 1969. He was a young writer, and I was also interested in broad cultural issues. We agreed on all major issues and became friends.
Quotes to Explore
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Philanthropy is natural. For a mother, taking care of her children is natural. If I am rich, I take care of the poor, like a mother would.
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We were five kids at home, and my mother and grandmother ensured that we all had a very grounded upbringing in Madras. Even in school, I never used to tell anyone that my dad was an actor.
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I was very influenced by movies; I was very influenced by a world that had a sense of dream.
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My hunger is always there.
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People forget I go to work. They forget that the Coleridge house was bought and paid for by the daughter of a travel agent and a barmaid from what the actor Richard Burton once described as the nightmarish 'featureless suburb' of Croydon.
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I believed in myself. I never imagined myself as just an ordinary player.
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Each morning when I awake, I experience again a supreme pleasure - that of being Salvador Dali.
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I'm one of those actresses that really enjoys staying home with my children. To be told you've got to get to work, it is just unbelievable what it does to you.
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People are generally forced to change. We don't want to change, and then something absolutely forces us to realize that what we are doing isn't working or that our picture of the world is wrong. We fail. So we change.
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My friends I grew up with were so supportive to me. And I'm not the only one who's done well.
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I just do whatever I do, and put it out there without tryin' to cater to anybody. If you like it, you like it.
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Man can never be a woman's equal in the spirit of selfless service with which nature has endowed her.
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I phoned Joe Roth, who was head of the studio at the time, and told him how beautiful the film was, and that I was fully ready to support it, that Michael's work was wonderful and I imagined that Daniel would feel the same. He listened quietly and read between the lines.
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It's always about trying to make everything go with the music, like a script. It's not like, 'Let's have a confetti gun!' If I ever have one of those, it will be because it's absolutely the right thing at the moment in the song. I can't just go get a confetti gun.
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The greatest pleasure in life is doing what people say you cannot do.
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Let us have no machine-made ornament at all; it is all bad and worthless and ugly.
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Entrepreneurship is seen as if you're in Silicon Valley or New York City and starting an app business or a social-media business, which is cool. But what we really have to focus on is people who make things, and how can we fund them, and how can we encourage people to stay in their community and make a difference in their community.
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I have always thought that writers come with any variety of attributes. Some are capable and some aren't.
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I think we should all be tolerant of each other and embrace each others' strengths and differences and uniqueness and beauty.
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When it comes to spending, I don't splash out on fancy cars - I never have. I'm not a car man and, in fact, don't even drive. Although I own a vehicle - it only cost £3,000, and I can't even tell you the make - friends are kind enough to drive me around. It doesn't make sense to waste lots of money on cars.
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He felt like the invisible boy. When he got to be part of the mystery Men he felt like he had a purpose.
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The ideas keep going, you have the material, you cut because there's a limit to the space allowed to you. And the space is limited because of some other constraints that have to do with money or printing or whatever.
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It couldn't have happened anywhere but in little old New York.
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We served on the editorial board of a literary monthly called Face in 1968 and 1969. He was a young writer, and I was also interested in broad cultural issues. We agreed on all major issues and became friends.
