Walter Murch Quotes
Take any writer you want in the 19th century: they wrote with quill pens, dipping a piece of goose feather in ink and writing. And yet we read those novels today, and if we're sensitive to them, we respond to them with an immediacy that is stronger than anything written today on a word processor.
Quotes to Explore
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A lot of times, when mother-son or mother-daughter relationships have been put on screen, they tend to trickle towards ugly, and I don't find that totally realistic for the wide swath of us, and it's also not that fun to watch.
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I was in New York. I had been doing theater for many years, and then I got hired to a little part - they weren't calling it an extra, but I didn't have lines. It was a 'featured' part.
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Tell me what you'd like to hear me sing. I'll sing whatever you like, after which I'll take up a collection, if you don't mind.
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Unfortunately, there is still much to mine in this world and explore creatively.
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Every member in Congress has a seat, and they deserve a seat at the table.
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Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance. Always, I am on the threshold.
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The whole gun debate needs to be infused with a discussion about manhood. It's frustrating to hear debates about gun rights vs. gun control, and yet very few people say what's hidden in plain sight: It's really a contest of meanings about manhood.
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When you begin to write poems because you love language, because you love poetry. Something happens that makes you write poems. And the writing of poems is incredibly pleasurable and addictive.
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As independent filmmakers, we are actually deeply dependent on each other. The Spirit Awards are a public expression of those bonds, the intricate set of relationships and histories that we filmmakers depend on to make our most personal work.
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At times, we need to stop and rethink everything. Our entire history is made up of people who were sure they knew the truth yet forgot that the truth has an annoying tendency to change on occasion without us noticing it.
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Contrary to popular belief, I'm not always trying to stand out.
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I had a reporter ask me what it was like to have my best years over so soon. It stayed with me.
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Christians who believe in the Bible believe that it is their job to bring others the joy of salvation. Even if they're murdered, beaten to death, imprisoned - that's what you do for God.
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I knew my destiny was to be in the winner's circle. There were times along the way where I didn't make it there. But I felt my destiny was definitely to win big titles, win lots of titles.
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One should live between extravagance and meanness. Don't save money by starving your mind. It is false economy never to take a holiday, or never to spend money for an evening's amusement or for a useful book.
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I won't be happy until we have every boy in America between the ages of six and sixteen wearing a glove and swinging a bat.
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Luckily, I have been offered the chance to play a South American, Hispanic and even a character from the Middle East in films. There are also a lot of TV series in the U.S. that have a strong presence of actors from India.
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Seek that which within lies waiting to begin the fight of your life that is everyday.
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I do know that there is a difference between artists who are career-driven and artists who have a calling and are just compelled to make music, compelled to perform live, and the business isn't the reason they're doing it. In fact, there isn't really a reason. You just do it.
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But unfortunately Locke treated ideas of reflection as if they were another class of objects of contemplation beside ideas of sensation.
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I'm not trying to emulate William Faulkner. I never said I was.
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We hit the Rotunda and we did a quick spin around the Museum of London and into the bit of Little Britain that runs beside Postman’s Park. The trees in the park still had most of their leaves, and the street was narrow and shaded and smelled of wet grass rather than the busy cement smell you get in the rest of the City. The office was based in a Mid-Victorian pile whose Florentine flourishes were not fooling anyone but itself. There was a brass plaque by the door engraved with “Public Policy Foundation” and beyond the doors a cool blue marble foyer and a young and strangely elongated white woman behind a reception desk. Because it’s not good policy to, we hadn’t called ahead to make an appointment. Which gave Guleed a chance to tease the receptionist by not showing her warrant card when she identified herself. The receptionist’s expression did a classic three point turn from alarm to suspicion and finally settling on professional friendliness as she picked up the phone and informed someone at the other end that the “police” had arrived to talk to Mr. Chorley.
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Take any writer you want in the 19th century: they wrote with quill pens, dipping a piece of goose feather in ink and writing. And yet we read those novels today, and if we're sensitive to them, we respond to them with an immediacy that is stronger than anything written today on a word processor.
