Jarvis Cocker Quotes
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I'm not very keen on ageing. I'm not keen on the physical decay. I probably am quite vain. I think you want to try and look OK for the benefit of other people.
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I would like to believe in an afterlife; it makes things more palatable. But I'm not banking on it.
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Oh you know, I've been writing a novel.
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If you're in a band or think of yourself as a slightly creative person, you can get quite self-indulgent, so sometimes it's nice to have those people who bring you down to earth, but in a pleasant way.
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I think the credit crunch is a brilliant thing. We should all stop moaning and start celebrating. When times are tough, it's an opportunity to start looking at life in a different way.
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I travel backwards and forwards quite a lot. I live very near to the train station. I'm kind of playing at being an expatriate, I suppose.
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You know when you get into that thing where people want to discuss the relationship? I'd rather discuss what was on telly, avoid the issue, discuss anything other than the relationship.
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My basic position is that the more mixed the society and the more mobility there is in it, the better. That's what makes things interesting. When you get a homogenous society, it's very, very dull, whether that's all working class or all upper class, because everybody thinks the same, everybody looks the same.
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Well, once you've resigned yourself to the fact that you are the more mature pop performer and you're past the age you ever thought you would do it, you might as well do it as long as you can. As long as I can still lift a microphone, then I'll do it, you know.
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There are some quite funny things about getting famous and stuff, but I think there comes a point where you have to think to yourself, "Well, am I doing this because I want to go to a party and meet Britney Spears? Or am I doing it because I want to create something that excites me?"
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The best thing you can give someone is the freedom to make their own mind up - and then, if it's not working out 5 years later, you can give your opinion.
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Hawkwind are one of those bands that people introduce you to because you don't see them on the covers of magazines. I'd heard 'Silver Machine' but Russell Senior, who was in Pulp, got me into them. They had a song called 'Master Of The Universe' and we nicked the title in 1985 for one of our songs.
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The thing with Disney songs is they're very manipulative, very sentimental, but they do get you, you know - there's a kind of sadness to them and that kind of music doesn't really exist any more.
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I'd always fought against presenting radio really, because my father was a radio DJ in Australia. He's just recently retired. And I kind of didn't want to follow in his footsteps. But I suppose, as we all find as we become older, to some extent we do all become our parents.
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I got a pair of red, synthetic satin women's pants through the post the other day with a phone number on. That was quite strange. I haven't tried the phone number. In times of stress I may.
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Don't think that the things around you don't count, because they do.
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Often people poopoo melody as if it's a cheap trick to make people like things, but in my experience it's the hardest part of the tune, to find something that doesn't immediately remind you of something that's happened before.
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I speak onstage to try to establish some method of communication. The songs are supposed to be a way of communicating. But speech and drinks and sometimes chocolates are also a way of communicating.
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It's weird: The leader of the Conservative Party in England is two years younger than me, and I still don't really feel like a responsible adult.
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Money isn't important, but you have to have enough, so you don't have to think about it. Thinking about money is a drag.
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I'm sure Sting's a lovely guy. It's just that nobody wants to be seen as that holier-than-thou thing. That over-earnestness is a bit of a problem with people in bands and celebrities or whatever.
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In a song you can kind of stage-manage everything so that it puts you in a good light. And once a song is recorded, it always performs well.
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I am proud, and more than a little excited, to be asked to work with Faber in an editorial capacity. It is my dearest hope that we will produce some fantastic books together.
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The main thing I don't like about myself is an absurd level of self-consciousness that makes any sort of social encounter an ordeal for me.