Jarvis Cocker Quotes
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I travel backwards and forwards quite a lot. I live very near to the train station. I'm kind of playing at being an expatriate, I suppose.
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I would like to believe in an afterlife; it makes things more palatable. But I'm not banking on it.
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The best thing you can give someone is the freedom to make their own mind up - and then, if it's not working out 5 years later, you can give your opinion.
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You know when you get into that thing where people want to discuss the relationship? I'd rather discuss what was on telly, avoid the issue, discuss anything other than the relationship.
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The thing with Disney songs is they're very manipulative, very sentimental, but they do get you, you know - there's a kind of sadness to them and that kind of music doesn't really exist any more.
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Don't think that the things around you don't count, because they do.
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Well, once you've resigned yourself to the fact that you are the more mature pop performer and you're past the age you ever thought you would do it, you might as well do it as long as you can. As long as I can still lift a microphone, then I'll do it, you know.
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The working class has been turned into a consuming class - a situation has been created where people value their worth by what they can afford.
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I'm not very keen on ageing. I'm not keen on the physical decay. I probably am quite vain. I think you want to try and look OK for the benefit of other people.
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Being chronically shy I needed to create a persona for myself and be involved with a band where I could be ruler of my own kingdom. Then Pulp became hugely popular and I lost control of it, which is when it all went wrong.
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Often people poopoo melody as if it's a cheap trick to make people like things, but in my experience it's the hardest part of the tune, to find something that doesn't immediately remind you of something that's happened before.
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Hawkwind are one of those bands that people introduce you to because you don't see them on the covers of magazines. I'd heard 'Silver Machine' but Russell Senior, who was in Pulp, got me into them. They had a song called 'Master Of The Universe' and we nicked the title in 1985 for one of our songs.
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I think the credit crunch is a brilliant thing. We should all stop moaning and start celebrating. When times are tough, it's an opportunity to start looking at life in a different way.
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I'd always fought against presenting radio really, because my father was a radio DJ in Australia. He's just recently retired. And I kind of didn't want to follow in his footsteps. But I suppose, as we all find as we become older, to some extent we do all become our parents.
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Oh you know, I've been writing a novel.
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Money isn't important, but you have to have enough, so you don't have to think about it. Thinking about money is a drag.
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There are some quite funny things about getting famous and stuff, but I think there comes a point where you have to think to yourself, "Well, am I doing this because I want to go to a party and meet Britney Spears? Or am I doing it because I want to create something that excites me?"
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I got a pair of red, synthetic satin women's pants through the post the other day with a phone number on. That was quite strange. I haven't tried the phone number. In times of stress I may.
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France is a republic, and the rules in theory have been made by everyone rather than imposed by a dictatorship or king or whatever. So it's like, we've got to stick to these rules because we made them.
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One of the problems of our modern world is that there's a lot of things to work through, but, at some point, everybody should take a pause from that and make something, so that it's not just all one-way traffic.
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I'd been thinking I'd have to learn how to play really well, but obviously the message of punk was that you just learn three chords in a week and you're away.
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I'm sure Sting's a lovely guy. It's just that nobody wants to be seen as that holier-than-thou thing. That over-earnestness is a bit of a problem with people in bands and celebrities or whatever.
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It's funny how you can intensely investigate one very particular thing, and then it can lead you to other things through links and stuff like that. It's like you're going on this selective, very precise detour. But then it is strange because with it being so quick, there must be a difference.
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In a song you can kind of stage-manage everything so that it puts you in a good light. And once a song is recorded, it always performs well.