Jason Blum Quotes
I have a real kind of fundamental philosophical belief that movies are better if everyone gets paid when they work, and if they don't work, the people who worked on them make a little bit of money, and the people who finance them, they lose, but they don't lose too much. I believe that that creates better work.
Quotes to Explore
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When I started acting, it was like a double identity crisis - your basic crisis, compounded by people saying, 'there goes Robards' kid, Bacall's kid.' Now I realize, sure, that gets your foot in the door, but once it's there, it's your foot. I'm not bothered anymore. I'm confident of my abilities.
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If you have forest, if you have green forest, the water table goes up. What happens with deforestation is the water level goes down and we all know how much importance drinking water has.
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Age is just a number. Unless, that is, you live in Hollywood, where there's this notion that if you haven't hit it big by your 20s, you may as well hit the road.
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I have changed so much as an actor over the years.
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I was always very determined and ambitious, and I knew I would do something that would let me travel and stuff, but I didn't know really know what I would do to get there.
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On my best days, such as when I was a junior in high school coming off a 42-point performance and near triple-double, my dad was there to tell me I haven't arrived yet and bring me back to reality.
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If Boston charters can be stymied despite their extraordinary success, charters anywhere can be stopped.
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I am genuinely into soul, R&B and hip hop - all these genres that get slapped under the 'soul' genre. That spoke to me more than it did to my punk-rock friends. And punk spoke more to me than it did to my soul friends. I basically didn't fit comfortably in either world.
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Knowledge comes, but wisdom lingers. It may not be difficult to store up in the mind a vast quantity of facts within a comparatively short time, but the ability to form judgments requires the severe discipline of hard work and the tempering heat of experience and maturity.
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The usual fortune of complaint is to excite contempt more than pity.
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Revenge doesn't stop.
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Playing Juliet in 'Heavenly Creatures' changed my life, and the role of Clementine in' Eternal Sunshine of the Spotless Mind' opened many new doors creatively.
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If something pops in my mind and it's easy, I write it.
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It's huge in the U.K., if someone's doing well, to put them down. That's what we do all the time. It's kind of like a cultural thing.
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With the rights now in our loving hands, I'm beyond excited to bring 'The Green Hornet' into the 21st century in a meaningful and relevant way: modernizing it and making it accessible to a whole new generation. My intention is to bring a gravitas to 'The Green Hornet' that wipes away the camp and kitsch of the previous iteration.
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The '90s are really the 'Sex and the City' woman, and I think, right now, the new contemporary woman is the 'Lipstick Jungle' woman.
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I've got no respect for any young man who won't join the colors.
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I remember having an argument with Alan, I said the Queen's not just going to call the guy up and send him out to do it. And Alan says, well, how would a monarch give orders to her assassin.
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I work with gold that holds our past and diamonds that see the future and rubies that long for love. It's just a way of telling a story.
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There used to be that you only had four or five critics that you would look to for intelligent conversation, but now there are millions of people who can just press 'send,' and everyone's got an opinion even if no one cares what they say. It makes things a little bit tougher.
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I pass on a lot of teen roles that get sent to me because a lot of the time it doesn't feel real. It's sugar-coated. There's no depth to it.
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In the world where people with money overlap with restaurants and try to work out how to make more money, one of the things they talk about is the desire to find 'the new pizza.' This means a new mass-market product that can be made quickly and eaten both on the premises and as a takeaway.
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Working people are bearing the brunt of the EPA's inaction.
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I have a real kind of fundamental philosophical belief that movies are better if everyone gets paid when they work, and if they don't work, the people who worked on them make a little bit of money, and the people who finance them, they lose, but they don't lose too much. I believe that that creates better work.
