Jason Blum Quotes
People complain about Hollywood movies being similar. That goes right down to the fundamental green light process, because the process involves having to compare it to three other movies.
Quotes to Explore
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I remember when I was growing up. My great wish was to understand who I was and how I fit in the world.
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It's a rough and tumble game whenever power is involved - people's ambitions, their desires, their competitive spirit will often push them to play outside the rules. It's dramatic, it's interesting, and I think it's something we can all identify with to a degree.
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I'm not a collector of clothes. I've got clothes to wear.
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I'm an actress, not a pinup.
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We're overpaying him, but he's worth it.
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What we want to do is put a price on greenhouse gases. Because if they're more expensive, businesses will find a way to be more efficient or switch to solar or hydro or wind power. So that will reduce emissions.
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I have no superstitions. I don't have to have a Sunday outfit. I don't have socks or underwear I have to wear.
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Some of the craziest people I've met, in my life, are some of the most brilliant people I've met.
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I've approached every character I've ever played with a poem, first and foremost.
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There's something really fun about being scared, and I guess that was at least part of why I wanted to film certain scenes from my new book, 'Skeleton Creek.'
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Don't try to dress like me or wear your hair like mine. Find your own style.
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My castings sort of go in phases. There'll be several icy professional parts - a lawyer or a cop. And then there'll be the intelligent-but-wounded group and then the period things. It goes in sequence.
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The same thing which is now called Christian religion existed among the ancients. They have begun to call 'Christian' the true religion which existed before.
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The sci-fi movies I grew up with, the metaphor was very rich, and they used to really mean something: David Cronenberg's films, or John Carpenter's films, or the Phil Kaufman and Don Segel versions of 'Invasion Of The Body Snatchers,' or George Romero's early zombie films.
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No one wants to drown. Drowning would be the worst. Cause everyone knows that feeling. That feeling, oh it's the worst... when you think you're drowning.
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That's one of the great things about comedy: we can - and should - say the things that other people aren't supposed to say. If we didn't do that, if we didn't push against those limits, we'd just be standing around onstage and yelling.
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I think my blog is fairly circumspect and elliptical. I've written personal essays, but they are short and to the point: in and out, and that's that.
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The idea that to make a man work you've got to hold gold in front of his eyes is a growth, not an axiom. We've done that for so long that we've forgotten there's any other way.
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Standing up and teaching is grueling, but grueling fun.
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It's hard to find an emblem of cultural, national pride that burns as bright as Israel's success in classical music.
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The minute I start to talk about acting, I realize that I can't. You know, it's an abstract thing, a little bit mysterious even if you do it for a living.
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I think the best way for me to go into auditions psychologically was to say, 'You're not going to get it. This is the only acting experience you're going to have with this material.'
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I ought not to speak about the dead because the dead are all over the place.
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People complain about Hollywood movies being similar. That goes right down to the fundamental green light process, because the process involves having to compare it to three other movies.
