Brian K. Vaughan Quotes
Not a word of my writing has ever been changed by another person's hands, and I don't think many screenwriters can say that.
Quotes to Explore
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We're all concerned about sports rights being so expensive. Obviously, we are funded by the licence fee payers, so it's not always easy to compete with those who can get greater revenue.
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I remember when I was growing up. My great wish was to understand who I was and how I fit in the world.
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I've always made sequels, even when I was making Super 8 movies if the audience liked it.
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For those unfortunate enough to experience it, long-term unemployment - now, as in the 1930s - is a tragedy. And, for society as a whole, there is the danger that the productive capacity of a significant portion of the labour force will be impaired.
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In the '80 Olympics... people expected me to win. I was good enough to win, and I made a mistake and ended up second, which is pretty good, too.
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If Boston charters can be stymied despite their extraordinary success, charters anywhere can be stopped.
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I go straight from thinking about my narrator to being him.
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I was quite keen on silviculture, the growing of trees, and that was something I gave a lot of thought to. Maybe I could've gone in that direction. But it just so happened that while I was trying to make up my mind, I enrolled in art school, and there I began to develop my interest in music, parallel with my interest in the visual arts.
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I have big hands. I can't do the touch-screen thing. I'm a button guy. I want to press buttons.
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I never feel there's anything I can't do.
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When I got a million subscribers, it just sort of snowballed from there because a lot more people show interest. They're like, 'Who's this? They've got a million subscribers; maybe I'll like their channel.'
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My number one goal is to love, support and be there for my son.
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Control of a company does not carry with it the ability to control the price of its stock.
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It's a great feat for me to have broken my world record.
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If I can put it together, I've got an opportunity to win.
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I still find it hard to understand that anyone could argue that you can't have machines that exhibit consciousness.
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Fortuitous circumstances constitute the moulds that shape the majority of human lives, and the hasty impress of an accident is too often regarded as the relentless decree of all ordaining fate.
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Hindi films are so deceptive. I thought Mumbai was this big, grand, beautiful city with sea-facing flats.
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I'm just really supportive of everyone - even though I believe that things should be equal, people have different circumstances in their life that have taught them to be who they are. Even if I don't agree with them, I don't judge them. I'm a really non-judgmental person.
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Seungri sounds mournful while T.O.P has a masculine and husky voice. My voice is thin, just like when I talk
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To be the windowpane - this is basically a bastardization of what Orwell said about good writing - so you can get the conversation going and frame it the right way and make sure people aren't lost. And then you let the candidates illuminate the issues themselves.
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I studied Comparative Literature at Cornell. Structuralism was real big then. The idea of reading and writing as being this language game. There's a lot of appeal to that. It's nice to think of it as this playful kind of thing. But I think that another way to look at it is "Look, I just want to be sincere. I want to write something and make you feel something and maybe you will go out and do something." And it seems that the world is in such bad shape now that we don't have time to do nothing but language games. That's how it seems to me.
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To look in the eyes of audiences and see the kind of naughty glee that they got with being on the inside, the audience becomes your co-conspirators.
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Not a word of my writing has ever been changed by another person's hands, and I don't think many screenwriters can say that.
