Karan Mahajan Quotes
I tend to see my characters from inside and outside at once; this is a technique I use to retain a slight distance. It means my characters can act in unexpected ways on two axes: physical and mental. It isn't just, 'I thought this and then I did this,' which is the technique of the modern psychological novel.
Quotes to Explore
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Hamas says in its charter they want to see a world without Israel. They want to obliterate Israel.
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When I was around eight, I learned how to touch-type at school, and I received a computer as a present. I started writing plays, and for many years I thought I would be a playwright.
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I just thought it was unconscionable for the Congress to insert itself into this debate. We are particularly unqualified to make that decision and to intrude ourselves into the lives of this family.
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I have always believed in dialogue and in nonviolence, and if you look at my background you will see that it has always been my policy to talk to everyone.
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What we've seen of Rey, she looks like she can handle her stuff. So most of the comments I get are from parents who say how wonderful it is that their little girls can see this character.
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I gave up painting by 16. I secretly thought I would have been Rembrandt by then.
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You get on the radio by writing your own songs. But we had the dilemma of not being able to play anywhere because we weren't able to play anything that anyone wanted to hear. So we learned songs that we thought that we could do without puking.
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I studied communications, only because I could get my own show on the campus radio station. I never thought of it as a career. Music was always a really passionate hobby - it was like collecting DVDs or stamps.
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So I didn't have anything to do with picking the songs, but I got to musically take them in places I thought might be interesting, so it was a real neat collaboration among the three of us.
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My first thought is always of light.
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I did all of California from north to south. I did Florida from north to south. I went to the Midwest. I spent time discovering the culture because I thought I was going to stay in America for only two years. Then I decided to come to New York.
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A novel is like a sausage. You might like the final taste but you don't want to see how it was made.
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I'm nearly blind. I can hardly see. But I'm taking some herbs. Something quacky.
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Action is no less necessary than thought to the instinctive tendencies of the human frame.
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I was trying to be someone for the first part of high school. I was kind of this nerdy kid who didn't want to be a nerd anymore. Even talking about it, I'm embarrassed. I'm like, 'Ugh, why did you care what people thought?'
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She missed him the days when some pretext served to take him away from her, just as one misses the sun on a cloudy day without having thought much about the sun when it was shining.
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You will always see big, chunky bags around me. I have always been fond of bags. Bags are extremely essential because I keep my books in them.
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If I ever have children of my own, they will read 'Matilda.' They will watch the movie. And you can bet they will see 'Matilda: The Musical.'
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An Oscar means a lot of things because it's like the ultimate award for a filmmaker so it feels great. But I think you have to consider awards with some distance and not get obsessed with it. When you're creating you shouldn't think about it.
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Where does a thought go when it's forgotten?
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In the 50,000 years that followed—a time four to eight times shorter than the entire length of time the Neanderthals existed—the replacement crowd not only settled on almost every habitable speck of land on the planet, they developed technology that allowed them to go to the moon and beyond.
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My greatest strength is common sense. I'm really a standard brand - like Campbell's tomato soup or Baker's chocolate.
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I tend to see my characters from inside and outside at once; this is a technique I use to retain a slight distance. It means my characters can act in unexpected ways on two axes: physical and mental. It isn't just, 'I thought this and then I did this,' which is the technique of the modern psychological novel.
