Karan Mahajan Quotes
Apparently, the city of Delhi is a 'character' in my novels. I'd argue that it's a ... city... in my novels.
Quotes to Explore
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No man ever prayed heartily without learning something.
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I'm not a control freak.
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Beauty pageants work as a platform from where you can reach out to many.
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All the time I was writing hit songs with my partner David Porter, I always had the yen to perform. Sure did. And when the opportunity came, I took it. The first album, 'Presenting Isaac Hayes,' didn't do so hot, but it was like a prelude for what was to come.
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I did every job under the sun from bartending to ushering to temping.
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I can go to a country song, go right into it and make it sound authentic. And I think that's because of my ear as an impressionist.
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I have only got down on to paper, really, three types of people: the person I think I am, the people who irritate me, and the people I'd like to be.
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I really, really love Daniel Craig as Bond.
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When we say a show is successful, it's because, relative to the investment, it's successful, relative to how else we would have spent that money on licensing something else, does this creation - did it attract the audience that it was built for.
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I love ice cream, and I love chocolate.
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I turned into a monk when my mother went to learn Buddhism in Burma. While she learnt at the monastery, I used to roam around with a begging bowl and ask for food.
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It's a blessing to have fans acknowledging your craft, period.
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When I grew up, I thought I was Jewish. Now I don't consider myself Jewish. I consider myself a Kabbalist.
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I've always kind of been an in-the-moment kind of person. I don't think that far in advance or have any idea what's around the next corner.
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When Liza Minelli was a child, she used to sit on my lap and call me Uncle Sammy.
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If particular care and attention is not paid to the ladies, we are determined to foment a rebellion, and will not hold ourselves bound by any laws in which we have no voice, or representation.
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I don't hit it as far as a lot of guys do, so I have to be in the right spot in the fairway to score, and that means driving it well. The two biggest keys for me are to make a good transition and to keep my hands ahead of the clubhead through impact. I want to feel as if my swing is two swings: one going back and another coming down.
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I think masculinity is bravado against the mystery of the universe of women. It's just a fear of not knowing what women have that's so powerful. It's this shield they put up to try to get closer.
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I want to be able to look my daughter’s teacher in the eye and say, ‘Your pension will be there.’ I need to know that her pension will match up with a promise we can keep
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I reject the notion of a post-truth area. I don't believe there is such a thing, and we shouldn't accept that.
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I think it's necessary to identify with anything - with any character you play, there's got to be something in common, so you can link up to that person, even if it's like one tiny thing. But it's equally fun to play somebody completely different, and trying to find what that thing is to make it.
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Apparently, the city of Delhi is a 'character' in my novels. I'd argue that it's a ... city... in my novels.
