Jason Robert Brown Quotes
I write about outsiders. I write about people who are outside and don't know quite how to get in because it's how I've always felt.
Quotes to Explore
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When I was growing up, we never had much money. My parents were divorced young, but I was always surrounded by loving individuals. They couldn't give us riches, but they gave us their stories, their hearts, and their time.
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There is nothing more likely to start disagreement among people or countries than an agreement.
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If women would today would rise en masse and demand their emancipation, the men would be compelled to grant it.
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People assume when my hair is long that I am a lot cooler than I actually am. I am not opposed to this misconception, by the way, but it is a misconception.
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Turn your attention for a while away from the worries and anxieties. Remind yourself of all your many blessings.
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It's no longer a question of staying healthy. It's a question of finding a sickness you like.
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My neighbors think I do nothing because I don't go to a job, which is fine and good.
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The ghastly thing about being a producer is that, once the curtain goes up, there is nothing you can do. At least when you are in it, you have some measure of control. If something goes wrong, you can maybe put it right. When you are in the audience, there is nothing you can do.
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In Germany I am not so famous.
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Write for yourself. That's it. And write every day.
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I've concentrated for a long time on English films because I've got two kids but my oldest son is 11 and I think I'm going to be away for about four months of year now.
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There's a policy now of opening the doors to the outside world.
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I have a pickup truck. And I prefer to be with dogs or on my sailboat than in a car - actually, more than any other place on Earth.
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The Wood was about young people and the other one is more of a grown up movie.
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Women are sacred.
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Millions of people gave their lives fighting fascism and imperialism, but Pearl Harbor was the event that forever changed the course of human history.
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As a child, I loved story books and wanted to be in them so desperately and live the stories.
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Those boos really motivate me to make something happen.
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Fear was absolutely necessary. Without it, I would have been scared to death.
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If you wanted to show a mirror to people that says, 'You've been drunk on money,' they're not going to want to see it. But if you reflected that mirror on another time they'd be willing to. People will need an explanation of where we are and where we've been, and 'The Great Gatsby' can provide that explanation.
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The centre of the tragedy, therefore, may be said with equal truth to lie in action issuing from character, or in character issuing in action.
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Indeed, what forces us at all to suppose that there is an essential opposition of 'true' and 'false'? Is it not sufficient to assume degrees of apparentness and, as it were, lighter and darker shadows and shades of appearance- different 'values', to use the language of painters?
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I find that the projects I enjoy signing up to at the moment are with a director who's interested in the script - isn't completely sure what the movie is and isn't concerned about it. He's just interested in going on the journey and discovering it.
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I write about outsiders. I write about people who are outside and don't know quite how to get in because it's how I've always felt.
