Frank Iero Quotes
When you break it all down, my punk rock is my dad's blues. It's music from the underground, and it's real, and it's written for the downtrodden in uncertain times.
Quotes to Explore
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I took my acting very seriously. I did over 40 films, and naturally, some of them were called B-movies because the woman was at the top of the billing. Women couldn't star in their own movies.
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America tends to worship the modest talent because it doesn't put us in an uncomfortable position vis-a-vis the artist.
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I never thought I wouldn't succeed. Not because I thought I was good-looking - I just thought I would make it.
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A good lie detector doesn't jump to conclusions but tries to understand the person across the table, her personality, and her motivations. Your goal as a lie spotter isn't to point the finger and say, 'You're lying' - your goal is to get to the truth.
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Unworthiness is the inmost frightening thought that you do not belong, no matter how much you want to belong, that you are an outsider and will always be an outsider. It is the idea that you are flawed and cannot be fixed. It is wanting to be loved and feeling unlovable, or wanting to love and feeling that you are not capable of loving.
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We can only learn to love by loving.
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It was a movement that had all the art critics, all the museum directors in its thrall.
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I don't think the Taliban will ever come back to take Afghanistan, no.
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The real drawback to the simple life is that it is not simple. If you are living it, you positively can do nothing else. There is not time.
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I used to dream of some kind of way that you could carry a phone with you - but I never thought I would see it in my lifetime. It doesn't matter nowadays if you are caught in traffic or got lost on the way somewhere. You can just send a text and the recipient will know that you haven't fallen under a bus.
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The classic, 'Romeo and Juliet,' for me, is the iconic story of young love.
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I'll sit around and play my guitar; that's how I write tunes.
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I'm a 'Blackadder' girl.
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I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
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I think the tone of the show has certainly changed over the years, because it's really, really hard to do something different when you have a show going on as long as this has.
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The fame that goes with wealth and beauty is fleeting and fragile; intellectual superiority is a possession glorious and eternal.
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I had the feeling that focusing on objects and telling a story through them would make my protagonists different from those in Western novels - more real, more quintessentially of Istanbul.
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I should have a better CV, and that's knocked me into believing that I have to grab these opportunities while I can.
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London has always provided the landscape for my imagination. It becomes a character - a living being - within each of my books.
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My native country was full of youthful promise; Europe was rich in the accumulated treasures of age.
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Sometimes, I think I could have been a major movie star with the vast mansion and staff. I look at my Volvo and think it could be a limousine. I think of the roles I turned down. But then I wouldn't have had any children.
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We have to start imagining a new reality - this will mean fewer police and more social workers and teachers. This will mean creating more economic possibilities and investment that preserves and does not displace our communities.
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When you break it all down, my punk rock is my dad's blues. It's music from the underground, and it's real, and it's written for the downtrodden in uncertain times.
