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I think the days of just filling the time and putting a disc out is over, and I'm glad, because those are some of my least favourite records.
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I tend to really like things that are broken, I like the ones that are perfectly imperfect.
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These days, all we hear about is that the industry is in trouble. Everybody is so scared, but our mission statement is having no fear.
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I grew up in that band. Some people go to college and get a Master's. I went to My Chem academy, and I feel like I graduated with honors.
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My father gave me one of those small, box-sized travel players when I was a kid and just a handful of records that he had. 'Zeppelin IV' was one. 'The Beatles at the Hollywood Bowl,' which is just about the worst record ever - you can't hear anything, just screaming in the background. I think there was maybe, like, an Animals record.
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With our first record, we wrote concept songs but not a concept record.
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I miss Jersey so much; I'm really connected to it. I love the big malls, the diners.
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Basically, I thought for a very long time that making music and art projects, that that was just something that I did, and real life was separate. And I'm starting to realize that the things that I do, making music and art and photography and all that, it's not just something that I do. It's who I am. So I don't think I'll ever be able to stop. It's like that curse that you live with, this thing that you love but you also hate it at the same time. It brings you a lot of joy but also a lot of heartbreak.
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I would rather be trampled by thousands of children than touch a spider.
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I made songs really for myself - I didn't ever expect to put it out there and make this a record for mass consumption, this was really just a way for me to get out of my own situation and reclaim that part of myself - so when making the songs, I wanted a testament to what I'd gone through, I wanted a snapshot of those moments.
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MS is terrible for anybody, and all of the stories are important.
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When my creative side isn't being fulfilled, I see it affect me in a negative way and I'm not able to become that father/husband/man that I want to be. So it's almost like this dark half that you have to satiate in order to become full, in order to become a good person.
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I've always been a fan of the band setting. I've always been a believer in bands, and I've always been in bands. That's where my comfort zone is. So to stand outside of that, that was never my intention or goal. I never had the dream of, 'I'm gonna go into all these bands as a spring board for my solo work.' But life takes you on different journeys sometimes. I ended up playing a bunch of songs and some of them I really liked.
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I've always been in bands writing songs with friends in order to play shows or record a future record.
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I feel like the personal me and the artistic me are separate, but connected. It's almost like a Jekyll and Hyde thing. As much as you try to keep them apart, they end up together. I'm very much aware that when I'm miserable on the creative side - if I can't make things work a certain way - it really detracts from being the father I want to be. So in order to ultimately be a good father and the man I want to be I know I need to keep my creative side in check, or at least a little bit happy. It's weird how it's intertwined that way.
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Everything I've ever dreamed of, everything in my wildest dreams, is coming true.
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I feel like you have to make art because you have to make it. But the end result of it - that last stage - you have to show it to somebody else to hopefully get a rise or reaction out of them - to see if it’ll affect someone else.
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I have a split - of my real home-life side that's real-life, and then the creative side that is not necessarily real-life, but it intersects my real-life so much.
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The future’s too bright to dwell on the past. Life moves fast, run faster.
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The messenger is not as important as the message.
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I feel like with everything you do, everything you make, everything you experience, y'know, even the dumb stuff that you don't even really pay much attention to, like the mundane stuff that happens to you every day, it shapes the person who you are.
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I have 'Purple Rain' on purple vinyl.
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I started thinking about how life is a lot like getting pushed out of a plane. You didn't ask to be here, none of us did. But we're all careening through space towards an eventual end that no one's gonna be able to put off. That's the only thing that's definite, this impact. So I started to think about how a lot of us fall at an incredible velocity, and it's over in the blink of an eye.
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I was feeling miserable physically, in a lot of pain to the point where it was almost crippling me, especially creatively. I decided to take that and use it as an inspiration for getting out of bed and making something again.