Frank Harris Quotes
Quotes to Explore
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Scratch a Yale man with both hands and you'll be lucky to find a coast-guard. Usually you find nothing at all.
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The love of liberty and the sense of human dignity are the basic elements of the Anarchist creed.
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Winning is everything in Hollywood.
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Tone can be as important as text.
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This invisibility, however, means that the opportunities for creative research are infinite.
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My husband had a very strong identity and was successful in his life. Thank God for that. There's no way I can control him. I wouldn't stay married to him if I felt I could. I can readily take my business personality into the home. But he forces me to be a partner rather than the boss.
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My mom and stepdad were strict. I couldn't date; I couldn't go out. And I was a kid who was never good at just taking no for an answer. I needed to understand why. And sometimes they weren't interested in explaining.
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Escapism makes a lot of intuitive sense - whisk people away from their cares with stories of a better life.
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I don't think good and evil are polarized.
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I have a garden. We have fresh tomatoes and strawberries. People are different here... People out in California, they grow up quicker. They have a lot of excess, and they have a lot more things than we do here in Hungary. There, they start doing makeup when they're 13, when we would still be out in the countryside making sausage.
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It's not class warfare to suggest that we shouldn't look to seniors and the less fortunate to bear the brunt of deficit reduction. I believe America needs to understand there needs to be a sense of fairness.
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Early on, even before he was the front-runner, TV news was giving Trump far more attention than other candidates and far more than he deserved.
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God is everywhere.
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Custom reconciles us to everything.
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Marijuana is not tested for, and yet that is the big thing guys are getting in trouble with in the league. It's terrible.
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Both my parents had heart problems: my mother had type 2 diabetes, and my father had a stroke.
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Jesus' own witness of sacrificial love and forgiveness, and his work to heal the sick and care for those in need, represent God's ways and vision for us.
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We had a lot of difficulty in getting the French to accept the pyramid. They thought we were trying to import a piece of Egypt until I pointed out that their obelisk was also from Egypt and the Place des Pyramides is around the corner. Then they accepted it. The pyramid at the Louvre, though, is just the tip.
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You get three hours' sleep and then you start all over again. Relentless. Pre-production was almost harder than filming. I was all over the city every day. It was really exhausting.
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Even an independent label is looking for a hit, they're not looking for a record that's not gonna do well.
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In putting setting to work, I like to think about long shots and close-ups. The long shot is the overall view of the place in which the characters live - the island, the town, the wide sweep of place. Then we narrow in. The close-up, the tight focus, makes the place different from anywhere else.
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The '30 for 30' strand started life as a series of behind-the-scenes docs for the sports channel ESPN. It has now spawned an equally fascinating series of podcasts. Like the films, these podcasts don't rely on access, the usual currency of sports journalism, and are strangely excited by stories that are complicated and require telling at length.
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Life is a game board. Time is your opponent. If you procrastinate, you will lose the game. You must make a move to be victorious.
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Sex is the gateway to life.
