Jasper Fforde Quotes
Quotes to Explore
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There are hours when I must force the novel out of my mind and be interested in the children.
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If a man reaches the heart of his own religion, he has reached the heart of the others, too. There is only one God, and there are many paths to him.
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The new technologies that we see coming will have major benefits that will greatly alleviate human suffering.
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I have an enormous metabolism, so I'm lucky.
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That's what sets apart one actor from another, and that you can't teach. You can't give someone that. When you're working, putting a character together, or in a scene, that's where things will happen that you have to have the intuition to notice them, and to register them.
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I am from a family of farmers from Budhana near Muzaffarnagar.
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I have been in dialogue with my family about what can actually be done. We've come up with this philosophy that in a truly multicultural society, the only way to have liberty and justice for everybody is to have multiple parties. And by multiple parties, I mean 50 parties, not one or two.
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Silk Road to Ruin has all the analysis and it's structured very well. I rely on my notes more and I use direct quotes. But there's nothing like writing about it right away.
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I find Indian music very funky. I mean it's very soulful, with their own kind of blues. But it's the only other school on the planet that develops improvisation to the high degree that you find in jazz music. So we have a lot of common ground.
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There are so many people I wish I could have met:
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I am not interested in the afterlife. Religion is supposed to be about losing your ego, not preserving it eternally in optimum conditions.
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There are a lot of people who've been able to ditch their Windows machines and switch over to Linux because they can now use their Exchange server for calendaring and collaboration from their Linux desktop.
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We've only explored about 5% of our ocean. There are great discoveries yet to be made down there - fantastic creatures representing millions of years of evolution and possibly bioactive compounds that could benefit us in ways we can't even imagine.
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Poems have a different music from ordinary language, and every poem has a different kind of music of necessity, and that's, in a way, the hardest thing about writing poetry is waiting for that music, and sometimes you never know if it's going to come.
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I'm inspired every day by the great captains of industry and enlightened entrepreneurs like my great-great-grandfather and founder of Fiat, Giovanni Agnelli, who personally knew all his workers and gave so much to this country, or Adriano Olivetti, unique and innovative in every way.
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I want to get better as an actor, to keep trying to work harder, trying to discover something different. In some ways, it's a pretty frightening experience. But normally, I do tend to walk against fear and hope that I'll be able to survive.
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If we have to use force, it is because we are America. We are the indispensable nation. We stand tall. We see further into the future.
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We shot 'Party Girl' on film, and I remember being told, 'We need to get this in two takes because we don't have a lot of film in the mag right now!'
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What I love about what I get to do is that I'm allowed to create the stories that I want to tell with minimal interference by some very big corporations like Microsoft and Sprint and EA and BioWare. The advantage that these tech companies have is that they understand the space organically, versus traditional media companies.
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All that political stuff Delano was doing. Me, I've gone off the top, into total fantasy.
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Honestly, I think we should be delighted people still want to read, be it on a Kindle or a Nook or whatever the latest device is.
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I think people who do comedy tend to do it well, and to do it painfully and truthfully. So making the leap to drama is easier for them because everything they've done is from pain anyway.
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What you do, is you gradually become more and more experienced, and more and more realistic about dramatic tolerance, i.e. about how long the play should be.
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There is a certain degree of 'steampunkishness' that creeps into my books.
