Timothy Elpadaro Thedford (Jay Electronica) Quotes
What makes me different from everybody else just boils down to dissatisfaction.
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A long life in journalism convinced me many presidents ago that there should be a large air space between a journalist and the head of a state.
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Any time Khaled comes to your video, it just steps it up that much more. He's so fun; people love him.
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There's no business like show business.
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Of all the labels and tags and epithets people have forced upon me, there's one I don't dislike. I get called the 'enfant terrible.' In every article, it's always there. So I have to give that a meaning.
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I don't like denial. I don't like repression.
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We are not angels, we are merely sophisticated apes. Yet we feel like angels trapped inside the bodies of beasts, craving transcendence and all the time trying to spread our wings and fly off, and it's really a very odd predicament to be in, if you think about it.
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As actors, we put in our best, but when people don't like a film, you have to learn to deal with it. I've learnt not to get too emotional.
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I was trying to take the band in a direction that I thought was appropriate, and Roth was trying to take the band in more of a Las Vegas direction. And there he is.
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Hair is also a problem. I remember once, when I was reporting from Beirut at the height of the civil war, someone wrote in to the BBC complaining about my appearance.
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Real biologists who actually do the research will tell you that they almost never find a phenomenon, no matter how odd or irrelevant it looks when they first see it, that doesn't prove to serve a function. The outcome itself may be due to small accidents of evolution.
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Stupidity is a talent for misconception.
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I think media people know we're good at making content and how we can be smart about how to consume it. It's always a balance.
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A guitar can be so human, so sorrowful, so angry, and I wanted to figure out how to achieve that vibe without having to actually use guitars, because 'Badlands' is a very futuristic record - and making it that in an era of futuristic music is a really hard thing to do!
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If you don't have a refinery operating, it's hard to use oil that's available.
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I introduced legislation in the Senate to prohibit President Obama's amnesty. The House of Representatives stood up and led. It took the legislation I introduced and it passed it. But the Senate Democrats stood as one uniform block and said, 'No, we will do nothing to stop amnesty.'
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I think I might become a pescatarian. I love sushi, couldn't give it up.
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My mother reads tarot cards, actually, but I won't let her read mine.
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I wanted to go to New York and be a stage actress, doing things like Chekhov. None of that happened, and then I went to L.A. and an agent said, 'I think you belong in commercials and TV.' So I did that and got some opportunities that I absolutely love.
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Frankenstein's actually interesting; he's kind of like a zombie.
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I have also just finished three weeks on a soap opera in England. The soap opera is a rather famous one called Crossroads. It was first on television 25 years ago, and it has recently been brought back. I play the part of a businessman called David Wheeler.
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I grew up writing. It was very natural in my household. My father was a poet, and his mother had been a novelist back in Hungary. I don't think I really thought about it being my career until high school, which is still pretty early, but it was a while there of just assuming this was something everyone did all day long.
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For years, I've written narrators who aren't gender-identified. When I do autobiographical stuff, that's different, obviously. But I've always tried to keep my songs as potentially not a man's thing.
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What makes me different from everybody else just boils down to dissatisfaction.