Yevgeny Zamyatin Quotes
Quotes to Explore
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Well, we like to let down our hair and pep it up at the dances, but we keep it slower when we broadcast. We have to please everybody, and that softer music appeals to the larger amount of people. It's like eating too much cake. You have to have your steak too.
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Music was a way of rebelling against the whole rah-rah high school thing.
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I'm always trying to find 'connections' between things. That art is the juxtaposition of a lot of things that seem unrelated but add up to something recognizable.
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My specialty is two things: music or really strange stories.
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I love music; I come from a region of Kurdistan that is a base for music.
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I listen to crazy, robust rock music where they sing their faces off, and soul music, which can be similar.
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Young kids should be doing music that has shock value. They'll grow out of it.
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When I'm recording my album, I want to be acting, or when I'm on set, I want to be making music. I guess we'll see how it turns out and which one overpowers the other... but I couldn't really see my life without them, both of them.
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Those who seek to satisfy the mind of man by hampering it with ceremonies and music and affecting charity and devotion have lost their original nature.
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If architecture is frozen music then music must be liquid architecture.
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I quit high school on my birthday. It was my senior year and I didn't see the point. This was 1962, and I was ready to make music.
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I just do what I'm here for and that's to make that music.
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My scientific work is much more practically minded - to change something, to effect something. And the music I do is much more soft power, about changing minds.
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I like blues but it is music I am too ignorant to understand.
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I wrote as a kid, but I never wanted to be a writer, particularly. I had been drawing and painting for years and loved that.
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For me, even if I'm singing to a very large audience, like in 'The Sound of Music Live' or in the 'She Loves Me' broadcast, I try to imagine that I am just singing to each individual. It doesn't change my energy other than being perhaps a bit more nervous. I try to sing to each person and right into their individual heart.
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My music is like a spinning ball. It can turn in one direction, and then it comes back to origins.
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The concept of commercialism in the fashion and art world is looked down upon. You know, just to think, 'What amount of creativity does it take to make something that masses of people like?' And, 'How does creativity apply across the board?'
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Having a simple career as a musician who liked music was good enough for me.
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I listen to all kinds of music myself; it can range from practically anything: Opera, Jazz, to Blues, good Pop, just about anything.
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I wasn't a big fan of Instagram at first. I felt it was watering down the way music is perceived 'cause it made things seem more normal.
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Nancy Mace has written a wonderful, timeless memoir of the great test to become the first female graduate of The Citadel. Her book is provocative, hilarious, illuminating, and true. It is also a love letter to her college and the best book about The Citadel ever written.
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It's wonderful for me to see what 'We Will Rock You' has done. 'We Will Rock You' and 'We Are the Champions' have kind of transcended the normal framework of where music is listened to and appreciated - they've become part of public life, which I feel wonderful about.
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The art of the word is painting + architecture + music.
