Yevgeny Zamyatin Quotes
Quotes to Explore
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Well, we like to let down our hair and pep it up at the dances, but we keep it slower when we broadcast. We have to please everybody, and that softer music appeals to the larger amount of people. It's like eating too much cake. You have to have your steak too.
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Music was a way of rebelling against the whole rah-rah high school thing.
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I'm always trying to find 'connections' between things. That art is the juxtaposition of a lot of things that seem unrelated but add up to something recognizable.
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My specialty is two things: music or really strange stories.
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I love music; I come from a region of Kurdistan that is a base for music.
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I listen to crazy, robust rock music where they sing their faces off, and soul music, which can be similar.
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Young kids should be doing music that has shock value. They'll grow out of it.
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The craft of painting has virtually disappeared. There is hardly anyone left who really possesses it. For evidence one has only to look at the painters of this century.
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When I'm recording my album, I want to be acting, or when I'm on set, I want to be making music. I guess we'll see how it turns out and which one overpowers the other... but I couldn't really see my life without them, both of them.
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Those who seek to satisfy the mind of man by hampering it with ceremonies and music and affecting charity and devotion have lost their original nature.
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If architecture is frozen music then music must be liquid architecture.
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I quit high school on my birthday. It was my senior year and I didn't see the point. This was 1962, and I was ready to make music.
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I just do what I'm here for and that's to make that music.
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My scientific work is much more practically minded - to change something, to effect something. And the music I do is much more soft power, about changing minds.
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I like blues but it is music I am too ignorant to understand.
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I wrote as a kid, but I never wanted to be a writer, particularly. I had been drawing and painting for years and loved that.
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For me, even if I'm singing to a very large audience, like in 'The Sound of Music Live' or in the 'She Loves Me' broadcast, I try to imagine that I am just singing to each individual. It doesn't change my energy other than being perhaps a bit more nervous. I try to sing to each person and right into their individual heart.
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My music is like a spinning ball. It can turn in one direction, and then it comes back to origins.
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The concept of commercialism in the fashion and art world is looked down upon. You know, just to think, 'What amount of creativity does it take to make something that masses of people like?' And, 'How does creativity apply across the board?'
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I definitely don't want to only make music in the Christian genre. I want to expand and kind of dive into whatever else is in store. But that doesn't mean I don't love what I get to do as well.
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I still look to music to heal and bind; I still think the musician can be a trusted object offering his fellow-man solace but also a reminder of human excellence.
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If you go back and watch the original 'V,' you're like, 'Oh, I thought this was great. It kind of looks really cheesy.'
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He is not rich, that enjoyeth not his own goods.
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The art of the word is painting + architecture + music.
