Jean Arp Quotes
Already in 1915, Sophie Taeuber his wife divides the surface of her aquarelle into squares and rectangles which she then juxtaposes horizontally and perpendicularly as Mondrian, Itten and Paul Klee did in the same period. She constructs them as if they were masonry work. The colors are luminous, ranging from the raw yellow to deep red or blue.
Quotes to Explore
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I was a little hesitant at first because there's so many ways you can get 'Straight Outta Compton' wrong. You know, it's such a great story; it's such a classic tale. I was a little nervous 'cause it's like a very narrow road to success with that type of story - you got to get it right - but when I read it, I was pleasantly surprised.
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Some foreigners with full bellies and nothing better to do engage in finger-pointing at us. First, China does not export revolution; second, it does not export famine and poverty; and third, it does not mess around with you. So what else is there to say?
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Everyone should be commended for allowing people to make disasters, to make failures - you've just got to be sure that it's a magnificent failure and that, by creating a magnificent failure, you plant the seed.
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I was in the invasion of Normandy in southern France.
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I'll tell you sort of an odd story: My music taste changed on 9/11. And it's very strange. I actually intellectually find this very curious. But on 9/11, I didn't like how rock music responded. And country music collectively, the way they responded, it resonated with me.
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I feel quite connected to the past, and my memory. Everything that I've ever done I can still relate to, and feel connected to it in a way. There's no part of my life that I look at and go, 'I don't recognize that person at all.'
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I don't care about the quality of the film as a whole, but I loved 'Salt.' I loved it!
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It is as difficult to define or classify Islamic cinema as it would be a Christian, Jewish or Buddhist one.
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The thing is, it's not good anyway for eight-year-olds to be out there playing tennis tournaments so soon in their lives. But when I did get to play in a tournament, when I was nine, I was overjoyed.
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The manager accepts the status quo; the leader challenges it.
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I have the potential to be very strong and powerful, sometimes angry, sometimes passionate. I also can be shy and withhold that because I am afraid. I don't want to freak anybody out with my passion... So I struggle with that all the time.
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I'm very respectful in everything I wear. I think about it.
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The war against terrorism is a war against those who engage in torture.
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In the past, people worked together only when some great disaster threatened.
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I do listen to Abba. And a lot of '80s and '90s pop music.
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Most people want to become movie stars and I just want to be in the business. I already was a star. If I get the part of a lifetime and it blows up, then that's wonderful. But if the acting doesn't work, fine. I'll just be a producer. And if the producing doesn't work, fine. I've got a lot of other stuff.
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I think that souls agree to come in and do what they're going to do and then leave when they're going to leave. So there's nothing tragic when a soul leaves. I think it was already preordained.
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I was in Paris, Milan and London from '89 until '91, and I did mostly runway modeling. I know there's so many people out there looking for pictures, but this was way before the age of the Internet, sorry!
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The American people deserve answers about Benghazi before we move forward with military involvement in Syria's civil war.
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My office has two buildings that function like the right and left sides of the brain. There's a room where everything is being edited for an upcoming project, but you can pull out of that into a tranquil space to work in a different, more solitary medium. It's an architectural unfolding of the process instead of just one chaotic structure.
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It is said that the world is in a state of bankruptcy, that the world owes the world more than the world can pay.
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How little those who are schoolgirls of today can realize what it was to be a schoolgirl in the fifties or the early sixties of the last century!
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As I write, I control my anxiety and anguish thanks to the invaluable aid of irony and humor. But every night I am subdued by an anxiety that knows no irony, and I must wait until the next day to rediscover the blend of anguish and humor that characterizes my writing and that generates my style.
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Already in 1915, Sophie Taeuber his wife divides the surface of her aquarelle into squares and rectangles which she then juxtaposes horizontally and perpendicularly as Mondrian, Itten and Paul Klee did in the same period. She constructs them as if they were masonry work. The colors are luminous, ranging from the raw yellow to deep red or blue.
