Jean Arp Quotes
Dialogue between Hans Arp and Kurt Schwitters, (1956) with introduction in: Franz Müllers Drahtfrühling- Memories of Kurt Schwitters; as quoted in I is Style, ed. Siegfried Gohr & Gunda Luyken, commissioned by w:Rudi Fuchs, 2000, pp. 139-140
Quotes to Explore
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Fame has become this obsession for people, which kind of creeps me out.
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I try to talk about policy issues intelligently, I try very hard to avoid thought bubbles. I make sure my speeches are well researched and footnoted. I make sure I am not talking through my hat.
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I wanna create a character that's really memorable... like Julia Roberts did in 'Pretty Woman.'
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I'm developing artists for my new record label, my son's band, Intangible, being one of them.
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Save yourself some grief. Check with the publicist you hire to see what other books he/she has coming out at the same time as yours.
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As we continue to step up our investment in education, we must not sidestep our commitment to the principle of local control.
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After World War I the resentment of the working class against all that it had to suffer was directed more against Morgan, Wall Street and private capital than the government.
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Small debts are like small shot; they are rattling on every side, and can scarcely be escaped without a wound: great debts are like cannon; of loud noise, but little danger.
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When children are hungry, sleepy from a night spent fighting untreated asthma, or hobbled by symptoms of undiagnosed illnesses, they are less likely to do well in school.
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I write and rewrite and rewrite and write and like to turn in what I think is finished work.
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I don't know if I have a brand. I just see myself as an athlete and a competitor, someone who just works really hard at trying to get better at golf. I guess I'm kind of the feel-good story who's seen every level of professional golf.
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There's obviously a group who enjoys what Tyler Perry is putting out there. And why fault them? And there's a group that loves the things that Spike does. So they should enjoy that, too. Is it my taste? Maybe not, but I'm not going to fault anybody for doing what they're doing as long as people are showing up.
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In memoir, you have to be particularly careful not to alienate the reader by making the material seem too lived-in. It mustn't have too much of the smell of yourself, otherwise the reader will be unable to make it her own.
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After the fall of dictator Nicolae Ceausescu, Romanians were crazed with happiness. People who never met each other before hugged each other in the streets - convinced that tomorrow things would look different. Then came the many disappointments.
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The feeling remains that God is on the journey, too.
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I drink maple syrup. Then I'm hyper so I just run around like crazy and work it all off.
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I've always been attracted to action stuff.
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I like chords that are very lush with all the lush parts taken out.
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If you really do want to be an actor who can satisfy himself and his audience, you need to be vulnerable. You must reach the emotional and intellectual level of ability where you can go out stark naked, emotionally, in front of an audience.
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I think there are periods in this country when behavior is abhorrent: McCarthy, Watergate, Bill Clinton. It's just a question of how the checks and balances in the American system work and how leaders stand up to it or don't stand up to it.
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I venture to allude to the impression which seemed generally to prevail among their brethren across the seas, that the Old Country must wake up if she intends to maintain her old position of pre-eminence in her colonial trade against foreign competitors.
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The writing accompanying this oddity was, aside from a stack of press cuttings, in Professor Angell's most recent hand; and made no pretense to literary style. What seemed to be the main document was headed 'CTHULHU CULT' in characters painstakingly printed to avoid the erroneous reading of a word so unheard-of.
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What good is power if there's no connection point? My entire style's built around that actual basis.
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Dialogue between Hans Arp and Kurt Schwitters, (1956) with introduction in: Franz Müllers Drahtfrühling- Memories of Kurt Schwitters; as quoted in I is Style, ed. Siegfried Gohr & Gunda Luyken, commissioned by w:Rudi Fuchs, 2000, pp. 139-140
