Jean Arp Quotes
Dialogue between Hans Arp and Kurt Schwitters, (1956) with introduction in: Franz Müllers Drahtfrühling- Memories of Kurt Schwitters; as quoted in I is Style, ed. Siegfried Gohr & Gunda Luyken, commissioned by w:Rudi Fuchs, 2000, pp. 139-140
Quotes to Explore
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Fame has become this obsession for people, which kind of creeps me out.
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I try to talk about policy issues intelligently, I try very hard to avoid thought bubbles. I make sure my speeches are well researched and footnoted. I make sure I am not talking through my hat.
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I wanna create a character that's really memorable... like Julia Roberts did in 'Pretty Woman.'
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I'm developing artists for my new record label, my son's band, Intangible, being one of them.
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Save yourself some grief. Check with the publicist you hire to see what other books he/she has coming out at the same time as yours.
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As we continue to step up our investment in education, we must not sidestep our commitment to the principle of local control.
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After World War I the resentment of the working class against all that it had to suffer was directed more against Morgan, Wall Street and private capital than the government.
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Small debts are like small shot; they are rattling on every side, and can scarcely be escaped without a wound: great debts are like cannon; of loud noise, but little danger.
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When children are hungry, sleepy from a night spent fighting untreated asthma, or hobbled by symptoms of undiagnosed illnesses, they are less likely to do well in school.
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I write and rewrite and rewrite and write and like to turn in what I think is finished work.
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I don't know if I have a brand. I just see myself as an athlete and a competitor, someone who just works really hard at trying to get better at golf. I guess I'm kind of the feel-good story who's seen every level of professional golf.
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There's obviously a group who enjoys what Tyler Perry is putting out there. And why fault them? And there's a group that loves the things that Spike does. So they should enjoy that, too. Is it my taste? Maybe not, but I'm not going to fault anybody for doing what they're doing as long as people are showing up.
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In memoir, you have to be particularly careful not to alienate the reader by making the material seem too lived-in. It mustn't have too much of the smell of yourself, otherwise the reader will be unable to make it her own.
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After the fall of dictator Nicolae Ceausescu, Romanians were crazed with happiness. People who never met each other before hugged each other in the streets - convinced that tomorrow things would look different. Then came the many disappointments.
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The feeling remains that God is on the journey, too.
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I drink maple syrup. Then I'm hyper so I just run around like crazy and work it all off.
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I've always been attracted to action stuff.
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I like chords that are very lush with all the lush parts taken out.
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I need to be able to rock out.
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I'm an ordinary Hackney boy, and I can talk to people.
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Minor writers think style is all.
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I used to be the guy who wanted to do everything myself, wanted to write and play everything myself, but the older I've gotten, the more collaborations I've gotten. I really enjoy working with other people to create different styles of music, because I really do listen to everything, and I enjoy every kind of music. I think some of the best stuff comes from working with people who have different perspectives on the same thing.
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I do understand my limitations as a fiction writer, which is why my novels are always going to be close to home.
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Dialogue between Hans Arp and Kurt Schwitters, (1956) with introduction in: Franz Müllers Drahtfrühling- Memories of Kurt Schwitters; as quoted in I is Style, ed. Siegfried Gohr & Gunda Luyken, commissioned by w:Rudi Fuchs, 2000, pp. 139-140
