Jean Arp Quotes
Actually, it was in Paris in 1914 that I did my first collages, for an occultist friend. They were mysterious portico's which were supposed to replace mural paintings and which evoked the structure of palm branches or fish-bones. remark on the first collages Arp made, in different materials
Quotes to Explore
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I love being a woman and I was not one of these women who rose through professional life by wearing men's clothes or looking masculine. I loved wearing bright colors and being who I am.
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I style my roles mostly with some help from my team of stylists.
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It is annoying to be honest to no purpose.
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Younger audiences are into me because I did 'Stuart Little,' and that movie was a very big deal for kids. And in 'Angels in the Outfield,' a generation of kids learned about magic and angels. And then, of course, there are these two blond girls named Mary-Kate and Ashley Olsen, and I played their nanny on their TV show.
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The reason a poet is a poet is to write poems, not to advertise himself as a poet.
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It's incredibly fun to play someone that you don't like. It exorcises your own demons in a way. It's cathartic. We all have things that we don't like about ourselves, little things. And I get to amplify those things and put them out there. It's fun and it has a cleansing effect.
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'First Family' on the CW is about the president and his family living in the White House.
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It's an honor to live on a legacy, getting to do what we love to do and try to be the best musicians that we can possibly be.
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I think a person has to just be herself.
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You are about to have your first experience with a Greek lunch. I will kill you if you pretend to like it.
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We only have a certain amount of energy for each day. If we use it for the wrong purpose, if we focus on the negative or dwell on whoever hurt us, then we're not going to have the energy we need for the right purposes.
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I'm very thankful that I can make people happy just by signing my name.
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Contemplation and wisdom are highest achievements and man is not totally at home with them.
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I have been singing randomly, obsessively, obnoxiously for as long as I can remember.
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My idea of an actor is to be different persons with different roles. Every time a script interests me, I look for interesting characters because I intend to completely transport myself into it. This happens only because I am a very greedy actor. I am not part of the rat race because I am living a dream.
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I know that it isn't just violence against women, it's how do we support ourselves and our families, how do we deal with health care for ourselves and our families? It's a bigger picture.
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I almost always start with setting! I have to know the world before I know how to populate it. I have a tendency to play with doors - between life and death, human and monster, mundane and magic - and with 'ADSOM,' I knew I wanted to play with the physical doors between worlds.
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If you don't have a refinery operating, it's hard to use oil that's available.
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The greatest invention of the nineteenth century was the invention of the method of invention.
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No sooner do men settle down to a given set of ideas, a pat-tern of living and of thinking, than fault-finding begins, and fault-finding is the tap-root of revolutions.
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'Back In The Saddle' - I never realised what a good riff that was, or at least how much it satisfied me. And when we play it live, it comes across much better than I ever expected it to.
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I've always thought Harper Lee might have made a great decision. Much as you'd like to have more books by her, there's something about just one that's kind of mysterious and nice. On the other hand, the New York gossip about me was that I'd never write another book. So I thought, 'Well, I will then.'
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Music is the most natural thing in the world. When we go to a gig and we all like it and we share that experience, it's the same sense of communion as a sacred rite in Borneo or wherever it may be; it just gets dressed up different. Its good for the soul.
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Actually, it was in Paris in 1914 that I did my first collages, for an occultist friend. They were mysterious portico's which were supposed to replace mural paintings and which evoked the structure of palm branches or fish-bones. remark on the first collages Arp made, in different materials
