Jean Arp Quotes
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art urges man to identify himself with nature.
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These collages were static symmetrical constructions, portico's with pathetic vegetation, the gateway to the realm of dreams. They were done with colored paper in black, orange or blue dye plates. Although cubist painting interested me very much, not a trace of their influence was to be found in my collages.
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Already in 1915, Sophie Taeuber his wife divides the surface of her aquarelle into squares and rectangles which she then juxtaposes horizontally and perpendicularly as Mondrian, Itten and Paul Klee did in the same period. She constructs them as if they were masonry work. The colors are luminous, ranging from the raw yellow to deep red or blue.
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Dada was given the Venus of Milo a clyster and has allowed the Laocoön and his sons to rest awhile, after thousands of years of struggle with the good sausage Python. The philosophers are of less use to Dada than an old toothbrush, and it leaves them on the scrap heap for the great leaders of the world.
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the streams buck like rams in a tentwhips crack and from the hills come the crookedly combedshadows of the shepherds.black eggs and fools' bells fall from the trees.thunder drums and kettledrums beat upon the ears of the donkeys.wings brush against flowers.fountains spring up in the eyes of the wild boar.
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I wanted to find another order, another value for man in nature. He should no longer be the measure of all things, nor should everything be compared with him, but, on the contrary, all things, and man as well, should be like nature, without measure. I wanted to create new appearances, to extract new forms from man. This is made clear in my objects from 1917.