Jean Dujardin Quotes
I can't speak American dog very well. There was a lot of improvisation with Uggie - like when I put the dog on the table or sometimes I follow him, sometimes he follows me. I had a lot of treats in my pocket. We worked with Omar Von Muller, the dog trainer. It was very easy because it was a big movie.
Quotes to Explore
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We must never forget that Black History is American History. The achievements of African Americans have contributed to our nation's greatness.
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The American people deserve a budget that invests in the future, protects the most vulnerable among us and helps to create jobs and economic security.
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I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.'
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I once said, 'Steve Jobs is the American Xavier Niel,' but that was humour.
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To be honest, it's easier for me to speak with an American accent.
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Among my books, the ones that sell best are for readers between the ages of 8 and 12. According to a study by the Association of American Publishers, the largest area of industry growth in 2014 was in the children and young adult category.
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If I could distil the relevance of Bruce Springsteen's music to Australia it would be this: don't let what has happened to the American economy happen here. Don't let Australia become a down-under version of New Jersey, where the people and the communities whose skills are no longer in demand get thrown on the scrap heap of life.
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The most important thing Paris gave me was a perspective on Latin America. It taught me the differences between Latin America and Europe and among the Latin American countries themselves through the Latins I met there.
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The American school system's a little warped, so anyone can get a degree if they have a little money.
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If you learn the craft, you can make a movie and get by with tricks.
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The difference between being a victim and a survivor is often a low level of situational awareness. You can't be a super-spy, watchful and paranoid every day. But I am more watchful than the average American.
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Modern American cinema seems to me superficial. The intention is to understand a certain reality, and the result is nothing but a photographing of that reality.
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Standing as I do, with my hand upon this staff, and under the folds of the American flag, I ask you to stand by me so long as I stand by it.
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We do not believe in immortality because we can prove it, but we try to prove it because we cannot help believing it.
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I've seen the Pokemon movie, which is probably the worst movie ever made on any subject ever.
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My great-grandfather fought with the Colonial Army in New England in the American Revolution.
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And a tiny number of people in a few states make these decisions, and we're left with these options that are increasingly not attractive to the American people.
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I'm really proud of 'Oceans 12.' Of course, you do an 'Oceans' movie, you get known all over the world. It's an incredibly powerful medium: It's a Hollywood-identified blockbuster.
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I never planned to be a model at all. I moved to Paris to study art, and I was there working as an artist, taking classes, and I had a little sick dog that I was using up all of my money to try and heal. It was right at that point that this photographer, Errol Sawyer, saw me at the phoning office and convinced me to let him take my photo.
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My advice to any actor who's playing, quote, unquote, "extra" to think of it more like Stanislavski did. It's not a small part. You are the lead in the movie, in your own movie.
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In most of the stuff that I've done over the years as a sideman, I wasn't really a session musician, because to me, a session musician is a guy who makes his living in the studio, and I never really did that.
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For 'Breaking Bad,' people were with Walter White for 99% of that show, even though that guy is a monster.
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The real reason I was lo-fi before was really just because that's what I could afford.
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I can't speak American dog very well. There was a lot of improvisation with Uggie - like when I put the dog on the table or sometimes I follow him, sometimes he follows me. I had a lot of treats in my pocket. We worked with Omar Von Muller, the dog trainer. It was very easy because it was a big movie.
