Matthew Nable Quotes
Quotes to Explore
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When I was around eight, I learned how to touch-type at school, and I received a computer as a present. I started writing plays, and for many years I thought I would be a playwright.
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The beauty of 'The Hunger Games' and also 'Game of Thrones,' in fairness, both projects have really complex, three-dimensional, contradictory, strong women... The writing of female characters is extraordinary and equal to the men.
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It was failing part of my Ph.D. that led me into novel-writing. By then I was 29, had remarried and had a second baby. It struck me that I'd lost my path in life and I felt frustrated. That's when I started to write.
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I am a student of stupidity. I am a political reporter.
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If your writing collides with the conventional wisdom, there's going to be some kind of friction.
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But it's the particularity of a place, the physical experience of being in a place, that makes it onto the page. That's why I don't just do library research. I very rarely write about somewhere I haven't been.
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I was going to try to get into the creative writing program at Berkeley; it's just that the acting thing worked out.
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I am a great procrastinator. When the writing is going really well, the laundry piles up.
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I'm a career prosecutor. I have been trained, and my experience over decades, is to make decisions after a review of the evidence and the facts. And not to jump up with grand gestures before I've done that. Some might interpret that as being cautious. I would tell you that's just responsible.
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I believed totally in the possibilities implied in the series. I never thought of it as fantasy. Far from it.
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Shooting at Coco Chanel's apartment was an unexpectedly absorbing experience. The essence of Chanel is firmly rooted there in all of her possessions, and I truly believe that her spirit and soul still inhabit the second floor.
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I'm a pretty easygoing person, and it bleeds into the music. Even if I'm writing the most personal song, it's not going to come out totally serious; there's always a little tongue in the cheek.
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I spent a lot of time doing really unimportant work as an actor. It was important when I started writing that I obviously make it entertaining, or no one is going to go see it - but to really make you think, that is my goal.
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I never have written a movie, but there are some bad movies out there. I can make one. I definitely want to get into that because that's how you, at my level, would get a lead in a movie - by writing a low budget thing for myself. So I gotta get to it.
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At least half my writing time is spent researching. So for every hour I'm actually clicking on the keyboard, I'm spending another hour trying to figure out some tiny detail I need answered.
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The fact is most computer roleplaying games that offer a zillion highly specialized skills end up with nine-tenths of a zillion skills that every player quickly realizes aren't worth the experience points to buy.
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In my experience, if you have to keep the lavatory door shut by extending your left leg, it's modern architecture.
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Then I learned how to do wraparounds and things like that. I had no experience.
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I always say that my favorite people to interview are the people who are at the beginning and the ends of their lives because they have two alternate perspectives of the world, and neither of them are less profound.
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A great myth is relevant as long as the predicament of humanity lasts; as long as humanity lasts. It will always work, on those who can receive it, the same catharsis.
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Atlanta is the number one place to live. You live better, you eat better, the rides are better, vehicles is better deals. It's better people. More mean people, but at my level you want it to be about business, so it's perfect for me.
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Polo is like playing golf with a saddle, and there are a lot of moving parts.
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I try to take two weeks off after a fight and then get back to working out four or five times a week.
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Writing novels is where I'm most comfortable. It's a very intimate experience.
