Brian Selznick Quotes
I think when I'm drawing, I'm seeing what's happening on the page almost as if it were unfolding like a movie in my head.
Quotes to Explore
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The cutting room is where you discover the optimal length of the movie.
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I was hoping, actually, that being on the other side of the camera in a scary movie, see how it's filmed and maybe you won't be as scared next time you watch one... didn't really work out! Because I know it's fake, but I just get so into it.
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I design all my sets. With my tour and my album artwork, I co-design that with people who are better at drawing than me. But I've got a good imagination. I went to art school so I understand how to communicate my ideas.
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Books are my art. The movie is someone else's art. But it's great marketing for books.
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I'm 21 years old, and it's kind of uncomfortable for me to talk about, but I'm in the 1 percent as far as my income and tax bracket. But now that I'm here, there's no amount of money you can wave in front of my face that will make me understand depriving people of human rights.
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I would love to do a 'Scream'-type movie.
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I really loved 'Witches of Eastwick', the movie with Michelle Pfeiffer and Jack Nicholson and Cher.
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I think I would have been so much in awe of the movie set, the people and what everybody's job was, that I don't know if I would be able to concentrate on the character.
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If I ever have children of my own, they will read 'Matilda.' They will watch the movie. And you can bet they will see 'Matilda: The Musical.'
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There is a lot of Indian connect in 'Million Dollar Arm'. It is about two Indian boys, and we even shot quite a bit of the movie in India.
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People sometimes say, 'Oh, you were a movie star,' and I'm like, 'No, I was a supporting actress.' I wasn't an A-list actress, and I'm fine with that. I'm proud of what I did in film.
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For me, there are always things to learn. It's like the next movie is going to be the good one, you know.
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I'm really proud of 'Oceans 12.' Of course, you do an 'Oceans' movie, you get known all over the world. It's an incredibly powerful medium: It's a Hollywood-identified blockbuster.
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After you do this for a while, you get used to things not working the way you want them to. There's a job you want, and you don't get it. There's a movie you'd like to get made, and it doesn't get made. You become inured to it.
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If people are talking about your movie and they're like, 'Yeah, it was ok' - that's the last reaction I would want! I would rather people would say, 'Oh, I hated it!' or 'I loved it!' rather than 'Oh, it's ok.'
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I think you kind of hope for people to gush over movies, but I think the opposite way is great sometimes, too. I'd rather have a movie that you're angry about and that you're talking about the next day, than something you forget about when the popcorn goes into the trash.
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I didn't necessarily have a total idea when I was writing the movie of where everything was going. I just wanted to have really realistic dialogue and write like people I knew talked. I tried to keep it very real.
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I want to move people, stir something within them that makes them feel. That's what a movie should do and an actor should do, make you feel something. I think that's why people love films so much.
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'Sicario' is about how the Western world reacts toward problems outside of its borders. Should we become monsters in order to fight the monsters? It's not about the cartels. The movie could have been set in Africa or the Middle East.
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When I was pretending not to be pregnant, I knew where I stood with everyone, and I knew that the world would accept me; I knew where I fit.
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Coal and oil lobbyists added fossil fuels to a bill aimed at helping American manufacturers, so they too could claim 'manufacturing' tax deductions.
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I know now that I began writing in a country where the word 'woman' and the word 'poet' were almost magnetically opposed. One word was used to invoke collective nurture, the other to sketch out self-reflective individualism. Both states were necessary - that much the culture conceded - but they were oil and water and could not be mixed.
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Mine is a job that never ends, a function where it is almost impossible to set aside time to rest or take a breather.
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I think when I'm drawing, I'm seeing what's happening on the page almost as if it were unfolding like a movie in my head.
