Brian Selznick Quotes
I think when I'm drawing, I'm seeing what's happening on the page almost as if it were unfolding like a movie in my head.
Quotes to Explore
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The cutting room is where you discover the optimal length of the movie.
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I was hoping, actually, that being on the other side of the camera in a scary movie, see how it's filmed and maybe you won't be as scared next time you watch one... didn't really work out! Because I know it's fake, but I just get so into it.
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I design all my sets. With my tour and my album artwork, I co-design that with people who are better at drawing than me. But I've got a good imagination. I went to art school so I understand how to communicate my ideas.
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Books are my art. The movie is someone else's art. But it's great marketing for books.
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I'm 21 years old, and it's kind of uncomfortable for me to talk about, but I'm in the 1 percent as far as my income and tax bracket. But now that I'm here, there's no amount of money you can wave in front of my face that will make me understand depriving people of human rights.
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I would love to do a 'Scream'-type movie.
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I really loved 'Witches of Eastwick', the movie with Michelle Pfeiffer and Jack Nicholson and Cher.
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I think I would have been so much in awe of the movie set, the people and what everybody's job was, that I don't know if I would be able to concentrate on the character.
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If I ever have children of my own, they will read 'Matilda.' They will watch the movie. And you can bet they will see 'Matilda: The Musical.'
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There is a lot of Indian connect in 'Million Dollar Arm'. It is about two Indian boys, and we even shot quite a bit of the movie in India.
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People sometimes say, 'Oh, you were a movie star,' and I'm like, 'No, I was a supporting actress.' I wasn't an A-list actress, and I'm fine with that. I'm proud of what I did in film.
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For me, there are always things to learn. It's like the next movie is going to be the good one, you know.
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I'm really proud of 'Oceans 12.' Of course, you do an 'Oceans' movie, you get known all over the world. It's an incredibly powerful medium: It's a Hollywood-identified blockbuster.
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Some of the biggest movie stars in the world are essentially characters.
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After you do this for a while, you get used to things not working the way you want them to. There's a job you want, and you don't get it. There's a movie you'd like to get made, and it doesn't get made. You become inured to it.
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If people are talking about your movie and they're like, 'Yeah, it was ok' - that's the last reaction I would want! I would rather people would say, 'Oh, I hated it!' or 'I loved it!' rather than 'Oh, it's ok.'
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I think you kind of hope for people to gush over movies, but I think the opposite way is great sometimes, too. I'd rather have a movie that you're angry about and that you're talking about the next day, than something you forget about when the popcorn goes into the trash.
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I didn't necessarily have a total idea when I was writing the movie of where everything was going. I just wanted to have really realistic dialogue and write like people I knew talked. I tried to keep it very real.
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Everything that went on in my life... it was super important for me to have Camden first. And by that I mean my son and to have that relationship with my son to give me that quiet confidence that I needed as a mother and as a woman. Now with Brooklyn, I am just so at ease; I am so comfortable.
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I was always depressed growing up. There wasn't a reason for it, I just was. I was sad and morose. I cried a lot, I wrote a lot, and I read a lot; and that was how I dealt with it.
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I get the best inspiration or the most creativity from real emotions.
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Every song that we wrote for the first album made it. We didn't think about writing a bunch of songs and picking the best ones. We had to just make the best songs we ever wrote.
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I don't mean this, but I'm going to say it anyway. I don't really think of pop art and serious art as being that far apart.
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I think when I'm drawing, I'm seeing what's happening on the page almost as if it were unfolding like a movie in my head.
