Jean-Claude Van Damme Quotes
I came back to my original wife. I came back to her after I made a few boo-boos in my life. Coming back to her was good for me, good for her and good for the children.

Quotes to Explore
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I don't read other science fiction. I don't read any at all.
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At some point, you grow out of being attracted to that flame that burns you over and over and over again.
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Relationships, like cars, should undergo regular services to make sure they are still roadworthy.
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France is a fantastic country. It's between the Anglo-Saxon and Latin cultures. We have some of the Anglo-Saxon rigor, and some of the Latin quirkiness.
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This country wants to laugh. We want to, and we need to. I'm happy to oblige.
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The one word that no politician will ever speak, is 'enough.' Enough.
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I was approached in Texas to be a model a few times. One of my first jobs was the cover of a CD.
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Chet loved artists. He did. But he was caught up in the system. He had two hats. He had to have 'em because he did two things: he was an artist, and he was an executive.
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I found it more challenging to act in a small scene, especially if it has no dialogue and if it is a close-up with only expressions.
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For singers, I believe we can sing in a lot of keys. I know I have this big range, but the point is to find a key that emotionally connects people.
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I hate to tell you this, but there's an entire subset of people out there who think of me as quite a dull actor. And that's the word used, and often – dull.
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I don't think it's possible to separate out the strands of a writer's history, circumstances, life events, and that writer's themes.
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I was the highest-paid street performer, probably, in the history of Chicago. I was making like $800 a day.
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A cap on carbon is important because it sets a specific goal for reducing carbon emissions 80% by 2050.
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'The Simpsons' money got bigger and bigger. When I left 'The Simpsons', no one thought that this thing was going to still be around. It's the cumulative effect. It's like, 'Oh my God, 25 years later, and it's still coming in.'
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As far as money goes, there's a saying in Denmark: 'Your last suit doesn't have any pockets.' You can't take it with you. You can make all the money you want, but who cares?
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My life is not perfect.
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I love Japan; it's very special.
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I connected very much with all the work of Joan Crawford because she started as a flapper. She used to dance and sing and she was very cute. She had something that was so different from what she is at the end of her life and she started in the silent movies and then went into the talkies.
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Producers and studios know what sells. It's nice to be one of the guys that can help sell a movie by taking his shirt off.
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I've always been excited by rotoscoping, the technique used in films like 'Waking Life,' which fuses animation with real-life emotion. It seemed like it was a process ripe for innovation.
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Things can end badly, as they sometimes do in life. But if they do, then we know that something is wrong, just as we know it when a piece of music doesn’t resolve itself properly at the end. We know that. We just do. And so we prefer harmony.
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I used to give her my wife to read the column every week before I sent it to the editors. And sometimes she was so mad - are you crazy? You're not going to send that, or, you're not going to write that about me. So I would go, OK. You have five hours. Go ahead, write the column yourself.
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I came back to my original wife. I came back to her after I made a few boo-boos in my life. Coming back to her was good for me, good for her and good for the children.