Jean-Michel Jarre Quotes
I used to play in rock bands. Then I went to the first school of electronic music in the world. It was in Paris headed by one of the most important people involved in electronic music.
Quotes to Explore
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Immortality is really desirable, I guess. In terms of images, anyway.
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The nature and the DNA of IMAX has been redefined in the past years to shoot these huge blockbusters. But I think that it's not the sole purpose of IMAX to capture cars exploding in your face.
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I didn't make any friends in New York by insisting on moving the league headquarters to Cincinnati. The fact was that my son Bill was in school. His mother had passed away, and I didn't want to take the boy away from his school and to a strange city.
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Political correctness means nothing to me. Nothing. It's the new Puritanism, darling. Preventing us from expressing ourselves.
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That attitude and toughness that we want to play with, that, to me, is the most critical thing.
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Well, I - you know, the scripture says that God works by faith. And you have to have faith. You have to have trust in God so that God can work.
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The experience of being on a show that is very much in the center of popular culture is exciting. You really feel like you're reaching people.
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As independent filmmakers, we are actually deeply dependent on each other. The Spirit Awards are a public expression of those bonds, the intricate set of relationships and histories that we filmmakers depend on to make our most personal work.
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I normally don't endorse in Democratic primaries.
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Even in the angels there is the subordination of one hierarchy to another, and in the heavens, and all the bodies that are moved, the lowest by the highest and the highest in their turn unto the Supreme Mover of all.
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Every man I meet is in some way my superior.
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We ended up realizing that's not an economical way to create creatures, putting people in green leotards and figuring it out later. You can maybe do that if you're making 'Avatar,' but we need to know what the creatures look like before we turn on the camera.
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The Wood was about young people and the other one is more of a grown up movie.
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When I was coming up as a kid, there were programs that kept me out of trouble and on the straight and narrow in South Central Los Angeles, and I always felt that when I got to a stage where I could provide similar opportunities to kids then I would do that.
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Through this experience we have been warned - learn everything, don't forget anything!
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When you have a movie, you know who they start out as and where they go. But this is constantly changing, and you're growing with the character.
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Only when I came to America did I think of myself as British.
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I like to emphasize my eyes because if I do it well enough, then they look very blue.
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I do not recall spending long hours in front of a mirror loving my reflection.
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People talk about doom-laden scenarios happening in the future: they are happening in Africa now. You can see it perfectly clearly. Periodic famines are due to too many people living on land that can't sustain them.
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I think comparisons are very on the surface. If I sing, like, 'Park Bench People,' and there's kind of a social undertone, people will say I sound like Gil Scott-Heron. But for me, the more insightful comparison would be a Roberta Flack or Nina Simone - people who really mix different genres of music.
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Mrs Downs, a large sad lady who described herself, to Rupert’s delight, as bulky but fragile, now came four mornings a week to clean the house. She was one of those people who habitually looked on the black side of everything with a cheerfulness that bordered upon the macabre.
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I used to play in rock bands. Then I went to the first school of electronic music in the world. It was in Paris headed by one of the most important people involved in electronic music.
